苏联社会传播背景下的“艺术家-权力-媒体”三位一体(1950-1980)

Y. Kolisnyk, Tatiana Khomenko
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摘要

本文的目的是界定乌克兰苏维埃社会共和国信息系统的创造者角色和形成的压力,追溯创造性人格命运对其政治立场的依赖,揭示创造性人格在公民意识形成中的意义。能够达到既定目的和任务的研究方法是具体的——历史的、社会学的、系统的、比较的和析因的。结果和讨论。本文探讨了极权主义条件下的创造性人的活动问题。事实证明,苏联时代的创意人经历了一个痛苦的选择:要么为获得名声而荣耀党,要么为真实生活而受到迫害。那些自由而不服从和不妥协原则的人受到迫害。政治镇压造成了紧张状态。对政权的恐惧麻痹了人的精神,产生了因循守旧,继而转变为服务。墨守成规的人按照政党的意志生活,履行其要求,他们的命运取决于此。一些创造性智力代表不发表他们的一些作品,使他们跟上时代,以遵循他们的内在原则,同时不惹麻烦。尽管有审查制度,官方报刊仍试图讲真话。结论。极权主义条件下的创造性人的活动问题是一个复杂的多向量现象。由于共产党的要求,新闻业与创作自由的展示进行了激烈的斗争。分析极权主义时期一个创意人的道德层面,我们不应该因为当时的创意人的政党“偶像崇拜”而指责他们。更重要的是,在任何情况下,真正的人格都不会失去人性,在任何场合都充当真理的捍卫者。即使在苏维埃政权的条件下,对许多人来说,宣传活动是创造性的,但不是赚钱的方式。关键词:马克思列宁主义,极权制度,苏联创意人,苏联新闻,新闻独立,创意自由,公众意识
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The triad "artist - power - press" in the context of social communications of the USSR (1950-1980)
The purpose of the article is to define the role of creators and pressin formation of informational system in the Ukrainian Soviet Social Republic, to trace the dependence of creative personalities’ fates on their political positions, to show the meaning of creative personalities in formation the citizens’ consciousness. The research methods which enable reaching the set purpose and tasks are concrete-historical, sociological, systemic, comparative and factorial ones. Results and discussion. The article explores the problem of a creative person’s activity under the conditions of totalitarianism. It is proved, that creative people in the soviet epoch experienced a painful choice: either to glorify the party for gaining fame or to truly show life and be persecuted. The people who were free and disobedient and did not compromiseon principle were persecuted. The political repressions cultivated stressful states. The fear of the regime paralyzed human spirit, generated conformism, which transformed into serving. Conformists lived according to the will of the party performing its requirements and their fate depended on that.Some of the creative intelligence representatives did not publish some of their works keeping them up to the better times in order to follow their inner principles and at the same time not to get in trouble. In spite of the censorship there were attempts to tell the truth in the official press. Conclusions. The problem of a creative person’s activity under the conditions of totalitarianism is a complicated and multi-vector phenomenon. The journalism provided a severe struggle with the display of creativity freedom due to requirements of the communist party. Analyzing the moral aspect of a creative person in the period of totalitarianism, one should not reprove the creators of those times because of their party “idol worship”. What is more important is that under any circumstances real personalities did not lose their human nature and acted as the truth defenders on any occasion. Even under the conditions of the soviet regime for many people publicistic activity wascreativity, but not the way of earning. Key words: Marxism-Leninism, totalitarian system, soviet creative people, soviet journalism, independent information, freedom of creativity, public consciousness
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