6世纪至13世纪初游牧民族对赛米列切和南哈萨克斯坦城市艺术文化的影响

C. Markova
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摘要

这项研究的结果构成了本文的基础,其目的是确定中世纪期间游牧突厥民族在Semirechye和南哈萨克斯坦城市文化形成中的作用。从6世纪到8世纪,Semirechye在政治上是由游牧的突厥人统治的,他们在这里建立了自己的国家(可汗国)。第一批城市中心的出现在很大程度上要归功于来自南方的粟特人。与此同时,游牧民族在该地区城市文化发展中的重要性仍不清楚。一些研究人员对突厥统治者的政策对Semirechye城市化的影响持模棱两可的态度,并注意到很难在哈萨克斯坦东南部和南部人民的物质和精神文化中确定游牧艺术传统。所有这些都使得这一领域的研究具有相关性。这篇文章是基于对中世纪城市Semirechye和南哈萨克斯坦(6世纪至13世纪初)居民留下的绘画纪念碑与游牧土耳其人的史诗作品进行比较的结果。本研究的方法论基础是比较类型学分析,通过比较类型学分析确定不同艺术类型中存在的常用动机和情节。在对考古材料的分析中,采用了描述法和类比法。要用文字资料证实某一时期的史诗动机或情节的存在,比较历史的方法是必要的。在工作的过程中,我们会考虑到一些陶瓷样品和灰泥雕刻(在未烘烤的粘土上雕刻)的碎片。一般的图案动机,图像,和情节在两种类型的装饰和应用艺术,以及他们在古代突厥民间传说和书面来源的对应关系被确定。在比较分析的基础上,对一些图像进行了解释,从而界定了古代突厥艺术传统。结论是,这两种艺术类型中的许多动机和图像表明,游牧突厥人在中世纪Semirechye和南哈萨克斯坦城市文化中形成独特的艺术风格方面发挥了特殊作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On the Nomadic Influence on the Artistic Culture of the Cities of Semirechye and South Kazakhstan in the 6th – Early 13th Centuries
The study, the results of which form the basis of this article, is aimed at determining the role of nomadic Turkic peoples in the formation of the urban culture of Semirechye and South Kazakhstan during the Middle Ages. Semirechye from 6th to 8th century, in political terms, was under the rule of the nomadic Turks, who formed their state here (Khaganate). The main role in the emergence of the first urban centers belongs, to a greater extent, to the Sogdians who came from the south. At the same time, the significance of the nomadic peoples in the development of urban culture of the region remains unclear. Some researchers are ambiguous about the influence of the policy of Turkic rulers on the urbanization of Semirechye, and also note the difficulty of identifying the nomadic artistic tradition in the material and spiritual culture of the peoples of southeastern and southern parts of Kazakhstan. All this makes research in this area relevant. The article is based on the results of comparing the pictorial monuments left by the inhabitants of the medieval cities of Semirechye and South Kazakhstan (6th – early 13th centuries), with the epic works of nomadic Turks. The methodological basis of the study is a comparative typological analysis, with the help of which the presence of commonly used motives and plots in different types of art is determined. Methods of description and analogy were used in the analysis of archaeological material. The comparative historical method is necessary to confirm the existence of an epic motive or plot in a certain period using written data. In the course of the work, samples of figured ceramics and fragments of a carved stucco (carving on raw unbaked clay) are considered. General pictorial motives, images, and plots in both types of decorative and applied art, as well as their correspondence in ancient Turkic folklore and written sources are identified. On the basis of a comparative analysis, an interpretation of some images is given, which, in turn, define the ancient Turkic artistic tradition. It is concluded that many motives and images in both types of arts indicate the special role of the nomadic Turks in the formation of a peculiar artistic style in the urban culture of Semirechye and South Kazakhstan during the Middle Ages.
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