{"title":"理想语言的配方:萨莎·索科洛夫《三联画》中Proezia的文体概念","authors":"D. Varenova","doi":"10.24923/2305-8757.2021-7.3","DOIUrl":null,"url":null,"abstract":"The article considers the book of Sasha Sokolov \"Triptych\", which reflects his views on the language system. The author explores the term \"proezia\", formulated by the writer, and analyzes the origins of \"proetic\" stylistics using the example of the work of Gongora, Simeon Polotsky, N.V. Gogol, I.S. Turgenev, V.V. Nabokov. The results reflect an attempt to establish an analytical order in the lyrical nature of the Sokolov's prose.","PeriodicalId":124068,"journal":{"name":"KANT Social Sciences & Humanities","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Recipe for an Ideal Language: Proezia as a stylistic concept in Sasha Sokolov's \\\"Triptych\\\"\",\"authors\":\"D. Varenova\",\"doi\":\"10.24923/2305-8757.2021-7.3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article considers the book of Sasha Sokolov \\\"Triptych\\\", which reflects his views on the language system. The author explores the term \\\"proezia\\\", formulated by the writer, and analyzes the origins of \\\"proetic\\\" stylistics using the example of the work of Gongora, Simeon Polotsky, N.V. Gogol, I.S. Turgenev, V.V. Nabokov. The results reflect an attempt to establish an analytical order in the lyrical nature of the Sokolov's prose.\",\"PeriodicalId\":124068,\"journal\":{\"name\":\"KANT Social Sciences & Humanities\",\"volume\":\"3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"KANT Social Sciences & Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24923/2305-8757.2021-7.3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"KANT Social Sciences & Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24923/2305-8757.2021-7.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Recipe for an Ideal Language: Proezia as a stylistic concept in Sasha Sokolov's "Triptych"
The article considers the book of Sasha Sokolov "Triptych", which reflects his views on the language system. The author explores the term "proezia", formulated by the writer, and analyzes the origins of "proetic" stylistics using the example of the work of Gongora, Simeon Polotsky, N.V. Gogol, I.S. Turgenev, V.V. Nabokov. The results reflect an attempt to establish an analytical order in the lyrical nature of the Sokolov's prose.
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