书中的图形由优秀的艺术家Stefan Sadovnikov创作

Victoria Rocaciuc
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引用次数: 0

摘要

自20世纪80年代以来,视觉艺术家斯特凡·萨多夫尼科夫(Stefan Sadovnikov)一直从事书籍图形设计。在这个领域,艺术家设法接近各种类型的文学:诗歌,散文,科学文献等。根据插图的主题,平面设计师所接触的图形技术是:铅笔,钢笔,水粉,包括计算机技术。他的插图的强大部分在于艺术家对与符号和符号相关的塑性原则的吸引力。分析优秀艺术家Stefan Sadovnikov签名的书籍插图,我们注意到艺术家基于各种粘合,形状干涉和塑性线条的原则创造了广泛的寓言符号和隐喻,特别是雕塑艺术家的思维。通过将人物与物体的可塑性结合,艺术家将家、城市、音乐、诗歌和爱情等概念拟人化。艺术形象表现为人物与对象关系的精髓。因此,在优秀艺术家Stefan Sadovnikov创作的几幅插图中,无生命的物体变得栩栩如生,并具有与人类性格和精神相同的特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Book graphics in the creation of the fine artist Stefan Sadovnikov
Since the 1980s, visual artist Stefan Sadovnikov has been involved in book graphics. In this field, the artist managed to approach various genres of literature: poetry, prose, scientific literature, etc. According to the illustrated topics, the graphic techniques approached by the graphic designer are: pencil, pen, gouache, including computer techniques. The strong part of his illustrations consists in appealing by the artist to the plastic principles related to the sign and symbol. Analyzing the book illustrations signed by the fine artist Stefan Sadovnikov, we notice a wide range of allegorical symbols and metaphors created by the artist based on various principles of agglutination, interference of shapes and plastic lines, specific especially to the thinking of sculpture artists. By plastically combining the human figure with the object, the artist personifies the ideas of home, city, music, poetry and love. The artistic image appears as a quintessence of the human character’s relations with the object. Thus, in several illustrations created by the fine artist Stefan Sadovnikov, inanimate objects came to life and features identical to human character and spirit.
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