四大名著中的“混沌”范畴(hÙn,“原始混沌”)

V. Klimovich
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引用次数: 0

摘要

“混沌”(hùn,“原始混沌”)是中国哲学中最复杂、最多方面的概念之一。这一类别在道家文献中得到了充分的发展,可以追溯到公元前4 - 3世纪。道家哲学家将这个概念解释为不仅是宇宙演化的核心,而且是所有伦理和社会政治概念的基础。在道教文本中,所有的含义都是明显积极的,与“乱”(luàn,“无序”)的概念相反,“乱”意味着对宇宙原始混乱(即整体)本质的破坏。为了确定这个概念在中国传统文化中是如何产生的,以及它在多大程度上仍然被认为是积极的,作者分析了四大经典小说:《水浒传》、《三国演义》、《西游记》和《红楼梦》中的用法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CATEGORY OF 混 (HÙN, “PRIMORDIAL CHAOS”) IN FOUR GREAT CLASSICAL NOVELS
混 (hùn, “primordial chaos”) is one of the most complex and multi-aspect concepts in Chinese philosophy. This category was fully developed in the Taoist texts, dating back to the 4th–3th centuries BC. Taoist philosophers interpreted the concept not just as the core of cosmogony, but also as the basis of all ethical and socio-political concepts. In Taoist texts all the meanings are distinctly positive and opposed to the concept of 乱 (luàn, “disorder”), which means destruction of the original chaotic (i. e., holistic) nature of the universe. To determine how this concept transpire in traditional Chinese culture and to what extent it is still considered to be positive, the author analyzed the usage of the word in the four great classical novels: Water Margin, Romance of the Three Kingdoms, Journey to the West and Dream of the Red Chamber.
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