舞台旅游:表演场所

N. Boyd, J. Smitheram
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引用次数: 0

摘要

这个项目探讨了建筑和游客体验之间的关系。在建筑学中,由于视觉往往被定位为分析旅游的主要模式,对活跃的游客主体的理解还不发达。该项目通过认识到从“凝视”到“表演”的范式转变来动员游客,这赋予了游客参与建筑的多感官体验的特权。该项目研究了建筑如何在游客的旅途中发挥和放大作用,以产生场所。为了验证这个问题,采用了“通过研究设计”的方法,通过迭代设计实验来开发设计命题。设计主张在三个不断增加的尺度上进行探索,通过发展和改进阶段推进研究。第一个实验通过1:1的装置与人体尺度相结合。下一个实验通过酒店的设计来扩大旅游表演的实践。在最后的实验中,设计了一个人工岛,供游客进行公共表演。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Staging tourism: Performing place
This project examines the relationship between architecture and the tourist experience. In architecture, an understanding of the active tourist body is underdeveloped as visuality is often positioned as the dominant mode of analysing tourism. This project mobilizes the tourist by recognising a paradigmatic shift from the”‘gaze” towards “performance”, which privileges the multisensuous experiences of the tourist engaged with architecture. The project investigates how architecture can stage and amplify the performances of tourists in order to produce place, en route. To test this enquiry, a “design through research” methodology is employed where the design proposition is developed through iterative design experiments. The design proposition is explored across three increasing scales, progressing the research through stages of development and refinement. The first experiment engages with the human scale through a 1:1 installation. The next experiment amplifies the practices of performing tourism through the design of a hotel. In the final experiment, the design of an artificial island stages the public performances of tourists.
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