易卜生《小说选集》中男权规范与价值观下的解放与独立的终极斗争

Syeda Sughra Naqvi, Nelofir Shaber, Iqra Khadam
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引用次数: 0

摘要

本研究试图分析易卜生作品《玩偶之家》和《海达·盖博勒》中阈限空间中的新女性形象。本研究研究的是女性在父权规范和价值观下的生存状态,以及她们为解放和独立而进行的最终斗争。整个研究以易卜生的诺拉和海达为主人公的斗争。他们开始意识到自己的权利,并努力实现有意义的生活,但与此同时,这也变得有问题。两位主人公都试图摆脱丈夫的绝对统治或父权霸权,建立自己的身份或自主的自我,但他们陷入了有限的空间。易卜生在表现《玩偶之家》和《海达·盖博勒》中的诺拉和海达这样的新女性时,把她们放在了一个阈值的空间里,在这个空间里,像诺拉和海达这样的女性既没有抛弃家庭价值观,也没有准备好屈从于19世纪末压迫性的父权价值观。他们不重视结婚和离婚的手续。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ultimate Struggle for Liberation and Independence in the Patriarchal Norms and Values Presented in Henrik Ibsen's Selected Fiction
This research attempts to analyze Ibsen’s new women in the liminal space in his works A Doll’s House and Hedda Gabler. The present researcher studies the condition of women and their ultimate struggle for liberation and independence in patriarchal norms and values. The whole research sees the struggle of protagonists as Nora and Hedda by Henrik Ibsen. They become conscious of their rights and struggle to achieve meaningful life but at the same time, it becomes problematic. Both protagonists are trying to come out from the utter domination of their husband or patriarchal hegemony for establishing their own identity or autonomous self but they fall into the liminal space. While representing the new women like Nora and Hedda in A Doll’s house and Hedda Gabler, Ibsen put them in the space of liminality where women like Nora and Hedda neither discard the familial values nor are ready to succumb to oppressive patriarchal values in the late nineteenth century. They do not value the formality of both marriage and divorce.
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