Trends in re-evaluation of traditional motifs in the professional decorative arts in the Republic of Moldova in 1991–2000.

The conceptual and artistic rearrangements that have occurred over the last decade of the twentieth century in the decorative arts of the Republic of Moldova, raised the field to a new level. Being aimed at solving some current morphological, syntactic and technological problems, the available plastic options resulted in the creation of aesthetically expressive works in which tradition and innovation resulted in a relevant to that time message. The article examines ways of orchestration of the image in the tapestry, ceramics and artistic glass in which, aesthetic values specific to popular creation were artistically revitalized by including in the compositional structure of the work some motives and topics frequently encountered in folk arts and folk creation. Special attention is given to the way of plastic remodeling and the syntactic aspects of stylistic integration of traditional motifs in the structural-formal and chromatic canvas of the image and their influence on the semantic level of the work.