The Tools of Manifestation and the Mechanisms of Disambiguation in the Discourse of Modern Arabic Poetry

Being conscious about the places of concealment and asking for concealing the meaning away from publicity and disclosure is an aim, ambition, and endeavor that the writer or artist relies on to achieve uniqueness and exceptionality in expression. This may ensure that the reader will not escape the grip of the text, seeking for an implicit, hidden meaning which has nothing to do with the obvious meaning whether this implicit meaning relates to a word, signal, and symbol or through writing, space, or punctuation and this ensures a special literary achievement which is based on terse style and aesthetic meaning rather than banal style and meaning. Therefore, this study demonstrates a clear conception of the dimensions in which the meaning is formed ranging between the obvious craftiness and the logical circle of sequence which is based on elaborate composition of words and on close relations to reality that does not need intense, logical recourse in research and inquiry. The second phase is liberating from all templates of the word and its literal meaning through organized deconstructing of structures and relations. This study attempts to follow the movement of the meaning through a conscious, profound intellectual journey, emphasizing that the meaning is not restricted to words but there are lanes and ways that lead to the purpose of the meaning along with the clarification of the aesthetics, psychological, social and political purposes that meaning withholds. Keywords: The Display and Concealment, The Invisibility of the Indication, The Duality of the Pronunciation and Meaning, The Clarity and Mystery, The Arab’s Ways of Concealment.