坎杜拉的“Khaleeji风格”:调查海湾地区的男子气概和着装

Lezley George
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引用次数: 0

摘要

在中东,尤其是海湾国家,对女性身材的研究远远多于对男性身材的研究。在整个海湾地区,男性公民通常穿着一件长长的“类似礼服”的衣服,上面有地区指定的名字,如kandura、dish-dasha或thobe,颜色根据海湾合作委员会的特定国家而定。特别关注阿拉伯联合酋长国,我研究了kandura如何与ghutra(白色头巾)和agal(带有流苏的黑绳)结合在一起,成为国家霸权男子气概的代表,并以表演风格强调文化权威和真实性。这些服装被认为是传统服装,但仔细一看,它们就成了调查文化时尚之都和“当地”品味的暗号。本文通过考察三个主要的“空间”——工作、休闲和兵役,批判性地揭示了这些结构及其对Khaleeji男子气概的意义,以审视空间的性别政治如何作用于男性穿着的身体实践,并支撑着特权和爱国男子气概的象征性呈现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kanduras ‘Khaleeji style’: Investigating Gulf masculinities and dress
Far more research is dedicated to assessing women’s fashioned bodies than for men’s in the Middle East and particularly in Gulf countries. Across the Gulf, male national citizens typically wear a long ‘dress-like’ garment, with regionally designated names of kandura, dish-dasha or thobe, and in colours delineated depending on the particular GCC state. Particularly focusing on the United Arab Emirates, I investigate how the kandura, when combined with the ghutra (white headscarf) and agal (black rope with tassels), becomes representational of national hegemonic masculinity and performatively styled to underline cultural authority and authenticity. These garments are deemed traditional attire, but on a closer inspection, they act as sites to investigate coded signs of cultural fashion capital and ‘local’ tastes. This article critically unpacks these constructs and their meanings for Khaleeji masculinity by examining three main ‘spaces’ ‐ work, leisure and military national service ‐ to scrutinize how the gender politics of space operates on men’s dressed body practices and underpins an emblematic presentation of privilege and patriotic manhood.
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