{"title":"Две рукописи Слепченского кодика XVI в. из Македонии","authors":"Н. И. Зубов","doi":"10.31168/0459-6.11","DOIUrl":null,"url":null,"abstract":"The report is devoted to a comparative analysis of two manuscripts of commemorative books of the 16th century from the monastery of St. John the Baptist in Macedonia: manuscript CMNL 1015 in Sofia and manuscript ONSL 1/116 in Odessa. Both manuscripts are supposed to presumably represent one monument of ancient writing made in two copies. Over time, the original variant and the copy were chaotically mixed up and ended up in different museum collections of the two countries — Bulgaria and Ukraine.","PeriodicalId":316954,"journal":{"name":"Межкультурное и межъязыковое взаимодействие в пространстве Славии (к 110-летию со дня рождения С. Б. Бернштейна): материалы Международной научной конференции, Москва, 12–14 октября 2021 г.","volume":"96 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Межкультурное и межъязыковое взаимодействие в пространстве Славии (к 110-летию со дня рождения С. Б. Бернштейна): материалы Международной научной конференции, Москва, 12–14 октября 2021 г.","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31168/0459-6.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Две рукописи Слепченского кодика XVI в. из Македонии
The report is devoted to a comparative analysis of two manuscripts of commemorative books of the 16th century from the monastery of St. John the Baptist in Macedonia: manuscript CMNL 1015 in Sofia and manuscript ONSL 1/116 in Odessa. Both manuscripts are supposed to presumably represent one monument of ancient writing made in two copies. Over time, the original variant and the copy were chaotically mixed up and ended up in different museum collections of the two countries — Bulgaria and Ukraine.