壁画遗产真实性的丧失:一个不断扩大的案例

D. Mohanu, Cristina Serendan
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引用次数: 0

摘要

自建立现代遗产保护原则以来的几十年里,为了将真实性标准作为艺术品保存和修复过程的决定性因素,在其最广泛的意义上,必须面对一个最具争议性的问题,同时也是艺术品接受的关键问题:图像领域出现的空白问题。为了了解罗马尼亚几十年来与真实性标准相关的艺术品修复经验中得到了什么,失去了什么,作者详细评论了Cesare Brandi的理论,我们将其视为图像空白重新整合的现代方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Authenticity loss of wall-painting heritage: an ever expanding caseload
The attempt, for a few decades since establishing the modern principles of heritage protection, to maintain the authenticity criterion as decisive for the preservation and restoration process of a work of art in its vastest meaning, had to face one of the most controversial and at the same time vital issues for the artwork’s reception: the issue of emerging lacunae in the fi eld of the image. In order to understand what was gained and what was lost in the few decade-long Romanian experience of artwork restoration related to the authenticity criterion, the authors elaborate a comment on the theory of Cesare Brandi, whom we owe the modern methodology for reintegration of the image lacunae.
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