第一部分简介

Ellen Swift, John K. Stoner, April Pudsey
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引用次数: 0

摘要

这一导论章概述了罗马和古埃及晚期的服装,并提供了对其社会功能和意义的见解。它首先调查了皮特里博物馆收藏的服装物品的地点来源,并讨论了他们研究中出现的特定问题(例如,使用坟墓组合的材料来研究服装)。然后对皮特里博物馆收藏的更广泛的服装物品进行调查,从中选出一些著名的文物,这些文物为研究期间埃及重要的社会现象提供了见解。服饰物件与生命历程的各个阶段之间的密切关系在第一部分的其他地方得到了进一步探讨。其他值得注意的见解涉及生命历程身份建构的历时变化,通过永久佩戴的珠宝体现身份,以及罗马人对美容和装饰的论述,如美发设备等物品。还讨论了价值问题,包括作为财富储存的珠宝,以及通过磨损和修复证据证明的不同类型的价值。世界主义社会的证据被提出,特别是由于向埃及派驻军队。这不仅包括军用胸针,还包括日耳曼起源的服装物品,如礼服别针和吊坠。最后一个主题是来自埃及的基督教主题和图案的珠宝的变化,其上下文依赖的意义,讨论其作为信仰的物质体现,保护护身符和宗教身份的表达的多重意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introduction to Part I
This introductory chapter give an overview of dress objects from the Roman and late antique periods in Egypt and provides insights into their social function and meaning. It first surveys the site provenances of the dress objects in the Petrie Museum collection, and discusses particular issues that arise in their study (for instance, the use of material from grave assemblages to study dress). The wider range of dress objects in the Petrie museum collection is then surveyed, drawing out examples of notable artefacts that provide insights into important social phenomena in Egypt across the period studied. A strong relationship between dress objects and various stages of the life course is demonstrated, further explored elsewhere in Part I. Other notable insights relate to diachronic change in the construction of life course identities, the embodiment of identities through jewellery that was worn permanently, and the Roman discourse of beauty and adornment as represented in objects like hairdressing equipment. Questions of value, including jewellery as a store of wealth, and the different types of value demonstrated through evidence of wear and repair, are also discussed. Evidence of cosmopolitan societies is presented, especially resulting from the posting of military troops to Egypt. This comprises not only military brooches but also dress objects of Germanic origin such as dress pins and bucket pendants. The changing, context-dependent meaning of jewellery from Egypt with Christian themes and motifs is the final topic, discussing its multiple significance as material embodiment of faith, protective amulet, and expression of religious identity.
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