v. miniailo的异想天开的散文类型系列问题和小说

O. Voshchenko
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摘要

本文的目的是找出V. Miniailo的长篇散文《星星与鲱鱼》(1972)和《致明亮的星星》(1975)的体裁特殊性,这两部作品被认为是异想天开的散文。运用文字学、形式要素(体裁主导的定义)和比较法(与异想天开散文的体裁矩阵和异想天开的V. Miniailo的小说《永恒的伊万》的体裁矩阵进行比较,异想天开的V. Miniailo与小说具有共同的话题性)。本文的紧迫性在于观察一系列异想天开的文本类型,在社会现实主义语境下探索米尼埃洛的创新创作,这是当今文学研究的一种跳出。在这门学科中,心理学占主导地位。作者关注的是人物的演变(而不是事件本身)以及他们对环境的情感反应。悲剧性的感伤(这对于异想天开的散文体裁矩阵来说是不可能的)在这部小说中扮演着重要的角色。这些特征表明,社会心理叙事策略(结合抒情浪漫主义和哲学存在主义动机)是所观察到的书的主要类型。Miniailo的小说《永恒的伊万》(Eternal Ivan, 1994)也讲述了20世纪20年代在乌克兰村庄发生的事件,但传统、怪诞、狭隘和讽刺使它变得异想天开。将这两本以异想天开散文为主的文学作品与上述小说的文本进行比较,并不能说明《星星与青鱼》和《致明亮的星星》是异想天开散文。异想天开的散文类型系列还需要进一步的研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
WHIMSICAL PROSE TYPOLOGICAL SERIES PROBLEM AND NOVELS BY V. MINIAILO
The purpose of the paper is to find out the genre specificality of the V. Miniailo’s dilogy “Stars and Herrings” (1972) and “To the Bright Stars” (1975), which is considered to be the whimsical prose. The philological, the elements of the formal (the definition of genre dominant) and the comparative methods are used (comparison with the genre matrix of whimsical prose and the whimsical V. Miniailo’s novel “Eternal Ivan”, which has common topicality with the dilogy). The urgency of the article is in observing a typological series of whimsical texts and exploring innovative V. Miniailo’s creativity in the context of social realism, which is out of present-day literary researches. In the dilogy the psychological dominant is represented. The author focuses on the evolution of characters (rather than the events) and on their emotional reactions to circumstances. The tragic pathos (which is impossible for the genre matrix of whimsical prose) plays an important role in the dilogy. These features point to a socio-psychological narrative strategy (combined with a lyrical-romantic and philosophical-existential motives) as a genre dominant of the observed book. The Miniailo’s novel “Eternal Ivan” (1994) is also devoted to the events of the 1920s in the Ukrainian village, but conventionality, grotesque, parochialism and satire make it whimsical. Comparison of the text of both books of dilogy with the genre dominant of whimsical prose and the mentioned novel does not give grounds to define “Stars and Herrings” and “To the Bright Stars” as whimsical prose. Further studies of whimsical prose typological series are needed.
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