现象学研究:古代尼亚斯文化中曼陀罗的宗教意义

Sonny Eli Zaluchu, F. Widjaja
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引用次数: 7

摘要

Abstarct。曼陀罗是文化和宗教的象征之一。它们存在于不同的古代文化中。其中之一是印度尼西亚苏门答腊岛北部尼亚斯岛上的社区文化。本文发现曼陀罗不仅仅是一种传统的艺术或装饰。然而,它是一种信仰体系的神学反映,它将地球上的人类与超然的神性实体联系起来。通过它,古代尼亚斯人在强烈的宗教信仰中相信神圣现实的存在。这张图也与人生哲学有关。研究结果表明,工匠有意使用各种形式的图表作为对生活的哲学反思,这被认为与当地的智慧密切相关。由于尼亚斯的信仰体系从万物有灵论转变为一神教崇拜上帝(尼亚斯的基督教化),曼荼罗的意义转变为文化偶像和装饰品。本文运用宗教现象学的理论方法对文献进行回顾分析,从古代宇宙学中的印第安人概念讨论到其在宗教体系中的象征意义。他们运用宗教现象学的理论方法对文献进行了整理分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Phenomenology Approach: Religious Significance of Mandala in Ancient Nias Culture
Abstarct. Mandala is one of the cultural and religious symbols. They found in various ancient cultures. One of them is in the culture of the community on the island of Nias in northern Sumatra Indonesia. This article found that mandala is not just a traditional art or ornament. However, it is the theological reflection of a belief system that connects humans on earth with transcendent divine entities. Through it, ancient Nias people believed in the existence of divine reality in strong religious beliefs. The diagram also relates to the philosophy of life. The findings show that the craftsmen intentionally used various forms of diagrams as philosophical reflections of life which are believed to be closely related to local wisdom. As a result of the change in the Nias belief system from animism to the monotheistic worship of God (Christianization of Nias), there was a shift in the meaning of the mandala into cultural icons and ornaments. This paper written with a review of the literature analysis using the Phenomenology of Religion theory approach, starting from a discussion of the concept of the Indian in ancient cosmology to its symbolic meaning in the religious system. They have compiled with literature analysis using the Phenomenology of Religion theory approach.
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