古埃及艺术中的比例与不比例——阿蒙霍特普四世/阿肯那顿统治时期

Lorena Stoica
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引用次数: 0

摘要

在新王国时期(1550-1069)——古埃及君主制的繁荣时期,法老阿蒙霍特普四世的统治给传统和音乐社会带来了革命性的变化,这将导致这位统治者在史学上被公认为异端国王。他不仅修改了宗教信仰,通过提倡太阳盘阿顿来反对底比斯神阿蒙,他还把埃及的首都搬到了一座新建的城市——阿赫顿,并在艺术、建筑、文学等各个领域做出了改变。在统治末期,他的名字从公共纪念碑上被抹去,并遭受了一个诅咒-纪念的过程。本文介绍并简要讨论了阿蒙霍特普四世统治时期古埃及艺术中比例的良好规范的变化,包括从旧王国到新王国阿玛纳时代艺术演变的概述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Proportion and disproportion in Ancient Egyptian Art - The reign of Amenhotep IV/ Akhenaten
During the New Kingdom (1550-1069) - a prosperous time for the ancient Egyptian monarchy, the reign of the pharaoh Amenhotep IV brings upon the traditional and conservatory society revolutionary changes that will led the ruler to be recognized in historiography as the Heretic King.1 Not only he revised the religious beliefs by promoting the sun disk Aten against the Theban god Amon, but he also moved the capital of Egypt to a new-build city - Akhet-aten and made changes in various domains such as art, architecture, literature, etc. At the end of the reign, his name was erased from public monuments and suffered a process of damnatio-memoriae. This article presents and briefly discusses the changes in the well established canons of proportions in the Ancient Egyptian art during the reign Amenhotep IV, with an included overview of the evolution of art from the Old Kingdom to the Amarna epoch, New Kingdom.
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