{"title":"导论:叙事、犯罪学和小说","authors":"R. McGregor","doi":"10.1332/policypress/9781529208054.003.0001","DOIUrl":null,"url":null,"abstract":"The purpose of this chapter is to introduce narrative representation, criminology, and the concept of fiction. The chapter begins with a delineation of criminology as an academic discipline and crime as a contested concept. Narrative vs. non-narrative distinguishes narrative representation from the various forms of non-narrative representation and identifies two types of narrative representation: minimal narratives and exemplary narratives. Fiction vs. non-fiction begins by differentiating ‘fiction’ from ‘narrative’ and then draws attention to the problems with differentiating fiction from non-fiction in terms of either the imagination, invention, or falsity. The chapter defines fiction in terms of a practice, which unites a particular kind of creative utterance to a particular kind of receptive stance. The chapter concludes with an extended abstract of the book.","PeriodicalId":207189,"journal":{"name":"A Criminology Of Narrative Fiction","volume":"39 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Introduction: Narrative, Criminology, and Fiction\",\"authors\":\"R. McGregor\",\"doi\":\"10.1332/policypress/9781529208054.003.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The purpose of this chapter is to introduce narrative representation, criminology, and the concept of fiction. The chapter begins with a delineation of criminology as an academic discipline and crime as a contested concept. Narrative vs. non-narrative distinguishes narrative representation from the various forms of non-narrative representation and identifies two types of narrative representation: minimal narratives and exemplary narratives. Fiction vs. non-fiction begins by differentiating ‘fiction’ from ‘narrative’ and then draws attention to the problems with differentiating fiction from non-fiction in terms of either the imagination, invention, or falsity. The chapter defines fiction in terms of a practice, which unites a particular kind of creative utterance to a particular kind of receptive stance. The chapter concludes with an extended abstract of the book.\",\"PeriodicalId\":207189,\"journal\":{\"name\":\"A Criminology Of Narrative Fiction\",\"volume\":\"39 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"A Criminology Of Narrative Fiction\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1332/policypress/9781529208054.003.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"A Criminology Of Narrative Fiction","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1332/policypress/9781529208054.003.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The purpose of this chapter is to introduce narrative representation, criminology, and the concept of fiction. The chapter begins with a delineation of criminology as an academic discipline and crime as a contested concept. Narrative vs. non-narrative distinguishes narrative representation from the various forms of non-narrative representation and identifies two types of narrative representation: minimal narratives and exemplary narratives. Fiction vs. non-fiction begins by differentiating ‘fiction’ from ‘narrative’ and then draws attention to the problems with differentiating fiction from non-fiction in terms of either the imagination, invention, or falsity. The chapter defines fiction in terms of a practice, which unites a particular kind of creative utterance to a particular kind of receptive stance. The chapter concludes with an extended abstract of the book.