{"title":"俄罗斯的形象是政治危机的结果,或者是abbÉ de pradt的变形","authors":"N. Tanshina","doi":"10.5922/sikbfu-2022-4-4","DOIUrl":null,"url":null,"abstract":"The focus of the article, written within the framework of the imagological approach, is the reconstruction of the image of Russia in France during the years of the Restoration. The article is based on the analysis of the views of the famous French diplomat and politician Abbé D. de Pradt (1759–1837). The relationship between the image of Russia in France and the current political situation is revealed by the example of the journalistic works of Abbé de Pradt. The article sees Russophobia as a mechanism for solving French problems. It is also concluded that the image of Russia created in the West was, on the one hand, very stable and based on ingrained stereotypes of perception. On the other hand, this image depended on the political situation. The image of Russia created by Abbé de Pradt turned out to be very elastic, mobile, dependent on the political conjuncture. Abbé de Pradt never had any sympathy for Russia and created openly anti — Russian pamphlets. However, at the time when France was looking for an ally and saw Russia as such, rational Pradt diametrically changed his own position. At the same time, the optics of superiority, characteristic of post-Napoleonic France, and the view of Russia as a power was never strong as it looked, remained an invariable feature of his works.","PeriodicalId":104739,"journal":{"name":"Vestnik of Immanuel Kant Baltic Federal University Series Humanities and social science","volume":"76 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE IMAGE OF RUSSIA AS A CONSEQUENCE OF THE POLITICAL CONJUNCTURE, OR THE METAMORPHOSIS OF ABBÉ DE PRADT\",\"authors\":\"N. Tanshina\",\"doi\":\"10.5922/sikbfu-2022-4-4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The focus of the article, written within the framework of the imagological approach, is the reconstruction of the image of Russia in France during the years of the Restoration. The article is based on the analysis of the views of the famous French diplomat and politician Abbé D. de Pradt (1759–1837). The relationship between the image of Russia in France and the current political situation is revealed by the example of the journalistic works of Abbé de Pradt. The article sees Russophobia as a mechanism for solving French problems. It is also concluded that the image of Russia created in the West was, on the one hand, very stable and based on ingrained stereotypes of perception. On the other hand, this image depended on the political situation. The image of Russia created by Abbé de Pradt turned out to be very elastic, mobile, dependent on the political conjuncture. Abbé de Pradt never had any sympathy for Russia and created openly anti — Russian pamphlets. However, at the time when France was looking for an ally and saw Russia as such, rational Pradt diametrically changed his own position. At the same time, the optics of superiority, characteristic of post-Napoleonic France, and the view of Russia as a power was never strong as it looked, remained an invariable feature of his works.\",\"PeriodicalId\":104739,\"journal\":{\"name\":\"Vestnik of Immanuel Kant Baltic Federal University Series Humanities and social science\",\"volume\":\"76 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik of Immanuel Kant Baltic Federal University Series Humanities and social science\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5922/sikbfu-2022-4-4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik of Immanuel Kant Baltic Federal University Series Humanities and social science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5922/sikbfu-2022-4-4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
文章的重点,写在图像方法的框架内,是俄罗斯在法国的形象重建期间的恢复。本文是在分析法国著名外交家、政治家德普拉特(abb D. de Pradt, 1759-1837)观点的基础上写成的。以德·普拉特的新闻作品为例,揭示了俄罗斯在法国的形象与当前政治形势之间的关系。这篇文章将恐俄症视为解决法国问题的一种机制。文章还得出结论,一方面,西方塑造的俄罗斯形象非常稳定,建立在根深蒂固的刻板印象之上。另一方面,这种形象取决于当时的政治形势。阿卜杜·德·普拉特塑造的俄罗斯形象是非常有弹性的,可移动的,依赖于政治形势。修道院院长德·普拉特从来没有同情过俄国,并公开出版反俄小册子。然而,当法国正在寻找一个盟友,并认为俄罗斯是这样的时候,理性的普拉特完全改变了自己的立场。与此同时,后拿破仑时代法国特有的优越感,以及认为俄罗斯作为一个大国从未像它看起来那样强大的观点,仍然是他作品中不变的特征。
THE IMAGE OF RUSSIA AS A CONSEQUENCE OF THE POLITICAL CONJUNCTURE, OR THE METAMORPHOSIS OF ABBÉ DE PRADT
The focus of the article, written within the framework of the imagological approach, is the reconstruction of the image of Russia in France during the years of the Restoration. The article is based on the analysis of the views of the famous French diplomat and politician Abbé D. de Pradt (1759–1837). The relationship between the image of Russia in France and the current political situation is revealed by the example of the journalistic works of Abbé de Pradt. The article sees Russophobia as a mechanism for solving French problems. It is also concluded that the image of Russia created in the West was, on the one hand, very stable and based on ingrained stereotypes of perception. On the other hand, this image depended on the political situation. The image of Russia created by Abbé de Pradt turned out to be very elastic, mobile, dependent on the political conjuncture. Abbé de Pradt never had any sympathy for Russia and created openly anti — Russian pamphlets. However, at the time when France was looking for an ally and saw Russia as such, rational Pradt diametrically changed his own position. At the same time, the optics of superiority, characteristic of post-Napoleonic France, and the view of Russia as a power was never strong as it looked, remained an invariable feature of his works.