“公园里到处都是鬼魂……——布伦特闹鬼娱乐(安大略省)

Ian Puppe
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摘要

当我第一次访问布伦特时,我去寻找鬼故事,布伦特是一个已经不复存在的伐木村,现在是阿尔冈昆省立公园北部的露营地。布伦特经常被描述为“鬼城”,自渥太华河/Kiji Sibi山谷最早的伐木时代以来,布伦特就一直被占领,在公园的口述历史中占有重要地位。在19世纪的伐木热潮中,许多人在暴力事故中丧生,阿尔冈昆阿尼什纳贝人曾在这里扎营,并可能在殖民之前拥有自己的村庄。布伦特曾经是一个繁华的社区,是Kish-Kaduk Lodge的旧址,也是第一次世界大战期间重要的铁路中转站。此外,布伦特是公园最后一个全年居民的家。1998年,被当地村民称为“市长”的亚当·皮茨先生在家中去世,一年前,加拿大国家铁路公司拆除了铁路轨道,切断了电力供应。现在他的小屋已是一片废墟有人说市长那不安分的鬼魂经常出没。我在布伦特还听说过一些鬼故事,它们萦绕在殖民时代的想象边缘,当粗心的旅行者漫步在他们有时认为是“原始荒野”的地方时,它们会尾随他们。与阿尔冈昆公园的旅游和遗产管理相关的自我理解和身份形成的常见模式,通过文化挪用的复杂色彩,否认殖民暴力的同谋,以及对该地区土著存在和持续存在的偶然混淆,充满了民族主义价值,我称之为闹鬼娱乐的过程。克服这种情结对于克服与加拿大定居者殖民主义和当代加拿大社会不平等有关的历史和代际创伤至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“With All The Ghosts that Haunt the Park...”: Haunted Recreation in Brent (Ontario)
Abstract When I first visited Brent, the defunct logging village, now campgrounds in the northern reaches of Algonquin Provincial Park I went searching for ghost stories. Often described as a “ghost town,” Brent has been occupied since the earliest days of logging in the Ottawa River/Kiji Sibi Valley and holds an important place in the oral history of the Park. The village was a place where many died after violent accidents during the timber rush of the eighteen-hundreds, where Algonquin Anishinaabe Peoples had camped and likely held a village of their own prior to colonization. Brent was once a bustling community, the former site of the Kish-Kaduk Lodge and an important railway stopover during the First World War. Further, Brent was home to the last year round resident of the Park. Mr. Adam Pitts, known to many local cottagers as the “Mayor” passed away in his home in 1998 one year after the railroad tracks were removed by the Canadian National Railway Company and the electricity was shut off. Now his cottage is a ruin some claim to be haunted by the Mayor’s restless ghost. And there are other ghost stories I heard in Brent that haunt the edges of the colonial imagination, stalking unwary travellers as they meander through what they sometimes assume to be “pristine wilderness.” Common patterns of self-apprehension and identity formation associated with tourism and heritage management in Algonquin Park are imbued with nationalist value through a prismatic complex of cultural appropriation, the denial of complicity in colonial violence, and the contingent obfuscation of Indigenous presence and persistence in the area, a process I call haunted recreation. Countering this complex is critical for working past the historical and intergenerational trauma associated with Canadian settler-colonialism and the contemporary inequities of Canadian society.
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