{"title":"可能的景观:对来世维度的探索","authors":"M. Concepcion","doi":"10.22492/issn.2186-229x.2020.2","DOIUrl":null,"url":null,"abstract":"The normality of death has dissolved in the context of society through the passage of time. Death has been celebrated before in the past as a part of life. In the contemporary era, death is being revisited with a heightened social awareness wherein it is explored in different facets of interdisciplinary studies, ranging from technological to cultural studies. Because of this phenomenon eventually people will begin to ask: What comes after death? The afterlife is a realm of uncertainty and of possibilities. Different academic fields such as neurology, psychology, psychiatry, philosophy and the like extensively deconstruct, and in their own ways, define the realm of the afterlife. Its ambiguous yet mysterious nature provides us with the opportunity to further explore intangible and unmappable landscapes that are beyond human comprehension. Possibilian Landscapes imagines the idea of the afterlife through David Eagleman’s book on his philosophy on Possibilianism, Sum: Forty Tales from the Afterlives. It explores the possibilities of afterlife dimensions as a means of creating new spatial translations in architecture, which would eventually lead to the expounding of the discourse of the relationship between architecture and reality. In this book, she selected stories that possess strong cues in spatial visualization, with each story having different spatial notions that the author would like to probe, provoke and explore. The author questions reality through architecture using the afterlife as a platform, adapting and exploiting the energy of the contemporary wave of the afterlife as it sweeps today’s society.","PeriodicalId":106403,"journal":{"name":"– The Asian Conference on Arts & Humanities 2020 Official Conference Proceedings","volume":"49 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Possibilian Landscapes: An Exploration on Afterlife Dimensions\",\"authors\":\"M. Concepcion\",\"doi\":\"10.22492/issn.2186-229x.2020.2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The normality of death has dissolved in the context of society through the passage of time. Death has been celebrated before in the past as a part of life. 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引用次数: 0
摘要
随着时间的流逝,死亡的常态已经在社会背景下消失了。过去,人们把死亡作为生命的一部分来庆祝。在当代,随着社会意识的提高,死亡正在被重新审视,其中在跨学科研究的不同方面进行了探索,从技术到文化研究。由于这种现象,人们最终会开始问:死后会发生什么?来世是一个充满不确定性和可能性的领域。不同的学术领域,如神经学、心理学、精神病学、哲学等,广泛解构,并以自己的方式定义来世的领域。它的模糊而神秘的性质为我们提供了进一步探索人类无法理解的无形和不可映射的景观的机会。通过David Eagleman关于他的可能性主义哲学的书《Sum: Forty Tales from the Afterlives》,《可能的风景》想象了来世的概念。它探索了来世维度作为一种在建筑中创造新的空间翻译的手段的可能性,这最终将导致对建筑与现实之间关系的论述的阐述。在这本书中,她选择了具有强烈空间可视化线索的故事,每个故事都有不同的空间概念,作者想要探索,激发和探索。作者通过以来世为平台的建筑来质疑现实,适应和利用当代来世浪潮席卷当今社会的能量。
Possibilian Landscapes: An Exploration on Afterlife Dimensions
The normality of death has dissolved in the context of society through the passage of time. Death has been celebrated before in the past as a part of life. In the contemporary era, death is being revisited with a heightened social awareness wherein it is explored in different facets of interdisciplinary studies, ranging from technological to cultural studies. Because of this phenomenon eventually people will begin to ask: What comes after death? The afterlife is a realm of uncertainty and of possibilities. Different academic fields such as neurology, psychology, psychiatry, philosophy and the like extensively deconstruct, and in their own ways, define the realm of the afterlife. Its ambiguous yet mysterious nature provides us with the opportunity to further explore intangible and unmappable landscapes that are beyond human comprehension. Possibilian Landscapes imagines the idea of the afterlife through David Eagleman’s book on his philosophy on Possibilianism, Sum: Forty Tales from the Afterlives. It explores the possibilities of afterlife dimensions as a means of creating new spatial translations in architecture, which would eventually lead to the expounding of the discourse of the relationship between architecture and reality. In this book, she selected stories that possess strong cues in spatial visualization, with each story having different spatial notions that the author would like to probe, provoke and explore. The author questions reality through architecture using the afterlife as a platform, adapting and exploiting the energy of the contemporary wave of the afterlife as it sweeps today’s society.