“网络船失事了。”克劳迪奥·马里斯作品中技术的表现

S. Rebora
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引用次数: 0

摘要

本文对克劳迪奥·马格里斯作品中技术的各种表现形式进行了追溯和分析。从《Le voci》中的应答机到《Non luogo a procedures》中的战争机器,马格里斯叙事中的主角与技术进步的各种衰退之间总是建立起一种充满争议和冲突的关系。这篇文章探讨了认知科学和数字人文学科的概念(如“扩展思维”和词嵌入),同时也参考了Magris自己对写作和假头的反思,以说明人类与他们创造的工具之间建立的关系的深刻伦理价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
«Il cybernauta è naufragato». Rappresentazioni del tecnologico nell’opera di Claudio Magris
This essay traces and analyses the various representations of technology in Claudio Magris’ work. From the answering machines of Le voci to the war machines of Non luogo a procedere, a controversial and conflicting relationship has always been established between the protagonists of Magris’ narratives and the various declinations of technological progress. The essay explores the concepts of cognitive sciences and digital humanities (such as the “extended mind” and word embeddings), while also referring to Magris’ own reflections on writing and figureheads, to illustrate the profoundly ethical value of the relationship established between human beings and the tools that they create.
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