二十世纪欧洲油画在中国的传播

Zhang Yong
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引用次数: 0

摘要

随着19世纪中叶鸦片战争的爆发,国外先进的科学技术使中国民族主义者看到了自己与发达国家的差距,他们逐渐开始失去民族自豪感,意识到学习和采用西方技术、西方文化、西方思想和西方教育的重要性,逐步开始全面研究西方。在这样的背景下,欧洲油画传入中国。文章的第一部分分析了20世纪欧洲艺术开始广泛传入中国时,中国文化艺术界出现的激烈争论。第二部分,根据不同时代的发展特点,将20世纪欧洲油画在中国的传播和中国油画的发展分为三个主要阶段。讨论了各阶段绘画新技法的主要引进和传播途径、教学方法和影响程度。100多年后,欧洲油画被中国所接受,成为中国文化的重要组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE SPREAD OF EUROPEAN OIL PAINTING IN CHINA IN THE XXTH CENTURY
With the outbreak of the Opium War in the mid-XIXth century, advanced foreign science and technology made the Chinese nationalists see the gap between them and the developed countries, so they gradually began to lose their sense of national pride and realized the importance of learning and adopting Western technology, Western culture, Western thought and Western education, and step by step they started to study the West comprehensively. In this context, European oil painting was brought to China. The first part of the article analyzes the heated debates that arose in Chinese cultural and artistic circles during the XXth century, when European art began to be widely introduced into China. In the second part, the spread of European oil painting in China and the development of Chinese oil painting in the XXth century are divided into three main stages according to the development characteristics of different eras. It also discusses the main ways of introducing and disseminating new painting techniques, teaching methods and the extent of influence at each stage. After more than 100 years, European oil painting was accepted by China and became an important part of Chinese culture.
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