Hanna Dymel-Trzebiatowska
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摘要

本文讨论了托夫·杨松关于姆明一家的九本绘本中恐惧的母题。在方法上,本研究从双重称呼、恐惧和焦虑概念的心理区分以及意象文本阅读的角度进行定性分析。尽管姆明谷传统上被视为文学世外之地,但令人惊讶的是,这些书的情节经常与灾难和危险交织在一起,包括火山爆发、寒冷的冬天、彗星、洪水和频繁的风暴。杨森在给没有经验的接受者的内容中使用了这些主题——唤起由实质性原因引发的恐惧。她是故意这么做的,她相信,只要故事的结局是愉快的,孩子们就会喜欢恐惧。在这个背景下,一个特别复杂的角色是Groke,它通常被认为是该系列中最可怕的怪物。她出现在四卷书中,分别是:《芬恩家族姆明介绍》(1948)、《姆明爸爸历险记》(1950)、《姆明内陆隆冬》(1957)、《姆明爸爸在海上》(1965)。分析表明,她的性格特征发生了重大变化。她细致入微的本质从一开始就为更有经验的读者所理解,因为它包含在视觉表现中,与口头表达相矛盾。此外,Groke似乎是一个混合角色,因为她唤起了与特定物体有关的恐惧和源于未知威胁的焦虑——事实上,没有合理的理由害怕她。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nie tylko o Buce. Egzemplifikacje i ewolucje motywu lęku w książkach o Muminkach Tove Jansson
The article discusses the motif of fear in nine illustrated books about the Moomins by Tove Jansson. Methodologically, the study is a qualitative analysis from the perspective of the double address, the psychological differentiation between the concepts of fear and anxiety, and the iconotextual reading. Although Moomin Valley has been traditionally perceived as a literary arcadia, the plot of the books is surprisingly often interwoven with disasters and dangers, including a volcanic eruption, a freezing winter, a comet, floods, and frequent storms. Jansson employed these motifs — evoking fear triggered by substantive causes — in the contents addressed to inexperienced recipients. She did it intentionally and was convinced that children enjoy fear as long as the story ends happily. In this context a particularly sophisticated character is the Groke, which is usually considered as the most terrifying monster in the series. She appears in four volumes — Finn Family Moomintroll (1948), The Exploits of Moominpappa (1950), Moominland Midwinter (1957), Moomin pappa at Sea (1965) — and the analysis proves that her characterization signifi cantly evolves. Her nuanced nature is from the beginning available to more experienced readers, since it is included in the visual representation, disputing the verbal. Furthermore, the Groke appears to be a hybrid character, as she evokes both fear relating to a specific object and anxiety stemming from an unknown threat — in fact, there are no rational reasons for fearing her.
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