伯恩哈德·施林克的《读者,第二代德国人的创伤

Gamze Sabancı Uzun
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引用次数: 0

摘要

伯恩哈德·施林克的小说《读者》(1995)自出版以来一直是一本备受争议的书。书中不仅描写了15岁的迈克尔和36岁的汉娜之间的性关系,而且还留下了读者同情纳粹罪犯的空间。本文中提出的分析将从当前关于《朗读者》作为一部大屠杀小说的讨论中得到启发。因此,有人会说,汉娜对迈克尔的伤害类似于她对集中营里犹太人的对待。对小说的审视从分析他与汉娜的关系开始,这是小说第一部分的重点,揭示了沉默是他们俄狄浦斯母子关系的关键因素,他们用这种关系作为维护他们关系的策略。接下来是对迈克尔在汉娜审判期间的沉默的分析,其结果表明,作为一个成年人,迈克尔渴望把他的创伤过去抛在脑后,从而通过对他的经历保持沉默来使自己远离语言。从此以后,他的行为就像犹太幸存者拒绝讨论他们在集中营里发生的事情一样。因此,“沉默”成为了小说的一个重要主题,也是本文将犹太受害者与德国肇事者及其后代联系起来的关键术语。最后,我们可以假设《朗读者》可以被视为一部大屠杀小说,不是因为它通过迈克尔与前肇事者的团结来处理大屠杀,而是因为他对小说结尾所揭示的无名犹太幸存者的真正同情和理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bernhard Schlink’s the Reader, the Trauma of Second-Generation Germans
Abstract Bernhard Schlink’s novel The Reader (1995) has been a very controversial book since its publication. Not only it portrays a sexual relationship between a 15-year-old Michael and 36-year-old Hanna without any judgment on the part of the author as the voice of the society, but it also leaves a space for the reader to sympathize with a Nazi criminal. The analyses presented in this article will take the cue from the current discussion of The Reader as a Holocaust novel. Thus, it will be argued that Michael’s victimization by Hanna is similar to her treatment of the Jews in the camp. The examination of the novel commences with the analysis of his relationship with Hanna, which is the focus of the first part of the novel, revealing that silence is the key element of their oedipal mother−son relationship, which they use as a strategy for safeguarding their bond. This will be followed by the analysis of Michael’s silence during Hanna’s trial, the findings of which indicate that, as an adult, Michael is keen to put his traumatic past behind him and thus distances himself from language by remaining silent about his experiences. Henceforth, his actions resemble the Jewish survivors’ refusal to discuss what happened to them in the camps. Therefore, “silence” emerges as an overarching theme in the novel and will be the key term in this article that links Jewish victims with the German perpetrators, as well as their descendants. In closing, it will be posited that The Reader can be viewed as a Holocaust novel, not due to its treatment of the Holocaust through Michael’s solidarity with an ex-perpetrator, but because of his genuine empathy with and understanding of the nameless Jewish survivor that is revealed at the end of the novel.
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