独立

Michel Hockx
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引用次数: 0

摘要

传统上,中国文学界被分为两个相互重叠、相互支持的领域:“官方”和“非官方”。前者是指由国家资助的作家协会主办的活动和国有出版社出版的出版物。后者有时被误认为是“地下”,指的是由自封的文化精英私人资助的活动,这些活动的部分身份源于与国家的不和,如今也与市场的不和。自从互联网出现以来,一些“非官方”的文学活动也转移到了网上。本章描述了一个引人入胜的极端例子:网络文学期刊《海澜》(Black and Blue),由一群迷恋法国新罗马风格的实验小说作家经营。它为其不妥协的文学思想找到并探索了一个独特的利基,使他们比任何其他“非官方”团体都活得更久,几乎没有被审查者和评论家注意到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Independence
The Chinese literary field is conventionally divided into two overlapping and mutually sustaining spheres: the ‘official’ and the ‘unofficial’. The former refers to activities sponsored by the state-funded Writers Association and publications by state-owned publishing houses. The latter, sometimes misleadingly designated as ‘underground’, refers to privately funded activities by a self-appointed cultural elite that derives part of its identity from being at odds with the state, and these days also with the market. Since the arrival of the internet, some ‘unofficial’ literary activity has moved online. This chapter describes a fascinating, if extreme, example: the online literary journal Heilan (Black and Blue), run by a group of experimental fiction writers enamoured with the French nouveau roman. It found and explored a unique niche for its uncompromising literary ideas, keeping them alive for much longer than any other ‘unofficial’ group, virtually unnoticed by censors and critics alike.
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