音乐中的多感官处理

F. Russo
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引用次数: 5

摘要

本章概述了听力正常、听力损失和耳聋的人在音乐中的多感官处理。第一部分提供了关于支持多感觉处理的神经机制的理论和证据的说明。第二部分考虑音乐的听觉处理,重点是侧边化,基本模块化和途径。最后一节考虑非听觉和多感官处理的音高,音色和节奏。对于每个维度,心理物理证据是在审查现有的神经科学证据之前提出的。在没有神经科学证据存在的地方,已经提出了关于可能涉及的神经机制类型的建议。耳聋后的神经可塑性改变也被考虑在内。本章最后认为,尽管大多数人都有理由将声音作为音乐处理的核心,但对音乐的更具包容性和细致入微的考虑需要从多感官的角度出发,包括听觉、视觉、体感、前庭和运动区域输入的整合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Multisensory Processing in Music
This chapter provides an overview of multisensory processing in music by individuals with normal hearing, hearing loss, and deafness. The first section provides an account of theory and evidence regarding the neural mechanisms underpinning multisensory processing. The second section considers auditory-only processing of music with a focus on lateralization, basic modularity, and pathways. The final section considers non-auditory and multisensory processing of pitch, timbre, and rhythm. For each dimension, psychophysical evidence is presented before reviewing the extant neuroscientific evidence. Where no neuroscientific evidence exists, proposals have been made about the types of neural mechanisms that may be involved. Neuroplastic changes following deafness are also considered. The chapter ultimately argues that although most individuals will justifiably focus on sound as the core of music processing, a more inclusive and nuanced consideration of music takes a multisensory perspective, involving the integration of inputs from auditory, visual, somatosensory, vestibular, and motor areas.
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