遥不可及的理想:《聊斋志异》的讽刺与乌托邦之间

Lucas Aude
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引用次数: 0

摘要

《罗沙海世》(Lz 132)是蒲松龄(1640-1715)的一个非常具有象征意义的故事,因为它涉及了《聊斋志异》的象征主题:对社会的批判观点,对魔法之地的冒险,以及与一个独立而强大的女人的复杂关系。这个故事讲述了一个人在海上迷路后,去了两个想象中的世界。在比较这两个地方时,罗沙海狮显示了它的独创性。第一个,罗刹之国,是一个外表决定一个人社会地位的国家。这个社会是朴氏对清朝官场的讽刺写照。相反,角色的第二处住所“海之城”(City of the Sea)是一个乌托邦式的海底城市,在那里角色可以立即获得成功。因此,罗沙海石苦涩地指出,如果一个人不愿隐藏在表象背后,就不可能获得荣耀和财富,而要实现这一点,就需要一个只存在于想象中的理想世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
UNREACHABLE IDEALS: BETWEEN SATIRE AND UTOPIA IN OTHER WORLDS OF LIAOZHAI ZHIYI
Luosha Haishi 羅殺海市 (Lz 132) is a very emblematic tale of Pu Songling’s (蒲松齡, 1640–1715), as it involves emblematic themes of Liaozhai zhiyi (聊齋誌異): a critical view of society, an adventure into enchanted lands, and a complex relationship to an independent, powerful woman. The tale tells about the journey of a man who, after having been lost at sea, visits two imaginary worlds. Luosha Haishi reveals its originality when comparing both these places. The first one, the Country of Rakshasas, is a state in which physical appearance determines one’s social status. This society is a satirical portrayal mirroring Pu’s vision of Qing China officialdom. Conversely, the City of the Sea, the character’s second place of stay, is a utopian undersea place where the character knows immediate success. Luosha Haishi thus makes the bitter statement of the impossibility to access glory and richness when one does not wish to hide behind appearances, while for it to occur it would require an ideal world that exists only in imagination.
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