Robert Šimůnek
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引用次数: 0

摘要

开始的问题是一边是旧的地图或图片,另一边是过去的现实之间的关系。我们真的可以期待一个关于所描绘区域的整体和细节的确切证词吗?或者它们的单据价值在于别的什么东西?所有类型的“文化景观图像”的观点首先提供了一种理想的证明,关于(文化)景观应该是什么样子的,或者至少应该被描绘出来。为了当代人和后代的眼睛。我们资料来源的部分单据价值表面上的损失实际上并非如此——相反。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Obraz barokovej krajiny ako historicko-geografický prameň
The starting question is the relation between the old map or picture on one side and the past reality on the other. Can we realy expect an exact testimony about the appearance of the depicted area as a whole and of the details? Or does their documentary value lye in something else? A view of all types of “images of the cultural landscape” offers – fist of all – a testimony of the ideal, about how the (cultural) landscape should have looked or at least should have been depicted. For the eyes of contemporaries and future generations. The apparent loss of part of the documentary value of our sources is not actually so – on the contrary.
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