舞台柱子的不便:玫瑰剧院的绿色世界场景

Adrian Blamires
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引用次数: 0

摘要

摘要:围绕早期现代戏剧中“绿色世界”的舞台展开了长期争论,一些评论家设想了一个光秃秃的舞台,而另一些人则认为表演利用了多种属性。争论的一个领域是剧院在多大程度上使用舞台柱子来代表树木。本文考虑了1594年至1508年期间在玫瑰剧院演出的四部戏剧(莎士比亚、蒙迪和波特),并对森林场景中各种属性的使用进行了论证。参考剧场在1592年翻新后的建筑,特别是舞台柱子的位置,支持了这个论点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Inconvenience of Stage Posts: Green World Locales at the Rose Theatre
Abstract:A long-running debate surrounds the staging of 'green worlds' in early modern drama, with some commentators envisioning a bare stage while others believe that performances utilized multiple properties. One area of contention concerns the extent to which theatres used stage posts to represent trees. This article considers four plays (by Shakespeare, Munday, and Porter) performed at the Rose Theatre in the period 1594—8 and makes a case for the employment of various properties in forest scenes. Reference to the playhouse's architecture after it was renovated in 1592, in particular the location of its stage posts, underpins the argument.
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