{"title":"TRAN2:制作雕塑的计算机图形程序","authors":"R. Mallary","doi":"10.1145/1478462.1478527","DOIUrl":null,"url":null,"abstract":"Historically the techniques of sculpture have tended to reflect the technological character and level of the society in which the sculpture was made. If primitive man carved bone and the Greeks cast in bronze it should not be surprising that sculptors today are using plastics, lasers, strobes, electronic circuitry and transducers to link art with contemporary technology. Even so, this still does not account for why some of us have been using the computer, assigning it a status above other \"art-and-technology\" possibilities and viewing it as nothing less than portentous in its implications for art.","PeriodicalId":438698,"journal":{"name":"AFIPS '70 (Fall)","volume":"16 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1970-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"TRAN2: a computer graphics program to make sculpture\",\"authors\":\"R. Mallary\",\"doi\":\"10.1145/1478462.1478527\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Historically the techniques of sculpture have tended to reflect the technological character and level of the society in which the sculpture was made. If primitive man carved bone and the Greeks cast in bronze it should not be surprising that sculptors today are using plastics, lasers, strobes, electronic circuitry and transducers to link art with contemporary technology. Even so, this still does not account for why some of us have been using the computer, assigning it a status above other \\\"art-and-technology\\\" possibilities and viewing it as nothing less than portentous in its implications for art.\",\"PeriodicalId\":438698,\"journal\":{\"name\":\"AFIPS '70 (Fall)\",\"volume\":\"16 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1970-11-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AFIPS '70 (Fall)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/1478462.1478527\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AFIPS '70 (Fall)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/1478462.1478527","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
TRAN2: a computer graphics program to make sculpture
Historically the techniques of sculpture have tended to reflect the technological character and level of the society in which the sculpture was made. If primitive man carved bone and the Greeks cast in bronze it should not be surprising that sculptors today are using plastics, lasers, strobes, electronic circuitry and transducers to link art with contemporary technology. Even so, this still does not account for why some of us have been using the computer, assigning it a status above other "art-and-technology" possibilities and viewing it as nothing less than portentous in its implications for art.