Mila Mardotillah
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引用次数: 0

摘要

万隆市文化发展的对象是非常发达的Angklung艺术。Angklung是西爪哇的典型艺术之一,已经存在了很长时间。Angklung在万隆市的存在早在印度尼西亚独立之前的1930年就存在了。由Daeng Soetigna开创,angklung在万隆从五声音阶发展到全音阶。本研究的目的是描述Angklung在万隆市作为一个生态系统的存在。所使用的方法是描述性定性的,通过探索从工匠到学者的社区所有成员在维持万隆市Angklung存在方面的作用。结果表明,参与和与angklung艺术相关的所有类别的社区,无论是传统群体,现代群体还是当代angklung参与者,都根据各自的角色进行保护。这项研究的结论是,每一个与Angklung艺术有关的社区成员,包括Angklung社区,Angklung工匠,Angklung艺术家,学者,培训师和Angklung教师,在维持Angklung作为文化遗产和文化目的地在万隆市不时存在的重要作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Through Time Of Angklung Kota Bandung
The objects of cultural development in Bandung city which is very developed is the art of Angklung. Angklung is one of the typical arts of West Java that has been around for a long time. The existence of Angklung in Bandung city has existed since 1930 before Indonesia's independence. Pioneered by Daeng Soetigna, angklung developed in Bandung from the pentatonic scale to the diatonic scale. The aim of this research is to describe the existence of Angklung in Bandung City as an ecosystem in Bandung City. The method used is descriptive qualitative by exploring the role of all members of the community from craftsmen to academics in maintaining the existence of Angklung in Bandung City. The results show that all categories of community who are involved and related to the art of angklung carry out preservation based on their respective roles, either groups of traditional, modern or contemporary Angklung players. The conclusion of this research is that every member of the community who is related to the art of Angklung, including the Angklung community, Angklung craftsmen, Angklung artists, academics, trainers and Angklung teachers have a major role in maintaining the existence of Angklung from time to time in Bandung city as a cultural heritage and cultural destination.
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