作为莫克沙民族服饰组成部分的Nakosnik puloker:关于起源问题及其民族文化意义

Tatyana A. Shigurova
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引用次数: 0

摘要

本文介绍了对八世纪至十八世纪作为民族象征的传统妇女服饰中莫克沙普洛克妇女独特的nakosnik的研究经验。假发特征的最重要方面与确定这一工艺品出现的原因有关,揭示了传统文化中对头发的一般态度,特别是在反映该民族中世纪历史事件的莫尔多瓦人的英雄史诗“马斯托拉瓦”中;时代的性质导致了民间服饰新元素的出现。研究中采用了一般的科学方法和系统的、比较历史的和结构符号学的方法。危机因素在公元1千年下半叶莫尔多瓦部落文化中的作用得到揭示,表现在旨在适应快速变化和跨文化接触条件的人类活动的激活。可以确定的是,妇女的创造性工作受到家庭和家庭空间的强制限制(可能是由于小家庭的出现),其结果是与仪式领域有关的社会经济和文化进程的发展,这需要将已婚妇女的社会群体隔离开来,并增加头饰的新元素,强调家庭女主人的地位。这一研究的新颖性在于得出以下结论:文化价值体现在以人工创造的装饰形式实现集体活动目标的过程中,以及证明突厥民族在研究期间对文化发展产生了重大影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nakosnik puloker as a component of the Moksha national Costume: on the problem of genesis and ethno-cultural meanings
This article presents the experience of studying the unique nakosnik of Moksha puloker women, which existed from the VIII to the XVIII centuries in a traditional women's costume as an ethnic symbol of the people. The most important aspects of the characteristics of the hairpiece associated with determining the cause of the appearance of this artifact, revealing the general attitude to hair in traditional culture, in particular in the heroic epic of the Mordovian people "Mastorava", which reflects the events of the medieval history of the ethnos; the nature of the era that caused the appearance of new elements in the folk costume. Both general scientific methods and systematic, comparative-historical and structural-semiotic approaches were used in the study. The role of the crisis factor in the culture of the Mordovian tribes of the second half of the I millennium A.D. was revealed, manifested in the activation of human activity aimed at adaptation in conditions of rapid changes and intercultural contacts. It is established that the result of the creative work of women, forcibly limited by the space of the family and home (possibly due to the appearance of a small family), was the development of socio-economic and cultural processes related to the ritual sphere, which required the segregation of the married woman's social group and a new element of the headdress, which emphasized the status of the hostess of the house. The novelty of the research is determined by the conclusions about the values of culture embodied in the materialization of the goals of collective activity in the form of an artificially created form of decoration, as well as in the justification of the significant influence of the Turkic peoples on the development of culture in the period under consideration.
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