Yoan Fahira, Y. Yandri, M. H. Gani
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引用次数: 0

摘要

本研究探讨如何运用门罗·比尔兹利的理论来理解雅兹德绘画的统一性、复杂性和强度。Yazid是西苏门答腊的艺术家,他以自然主义的流动而闻名,与自然美的概念密不可分。本研究采用定性研究方法,包括观察、访谈和文献研究。这项研究是在西苏门答腊岛的巴东、巴东帕里亚曼和巴东班江市进行的。经过研究发现,雅兹德绘画中的统一(Unity)作为一个整体,展示了线条、色彩、构图如何以完美的形状排列,使其看起来像一个整体。这使得独特的笔触和柔和的色彩和物体捕捉。雅兹德绘画的复杂性可以从灯光中看出,它被描述为类似于五种感官所捕捉的东西,因此物体看起来并不简单。雅兹德如何尝试呈现他每幅画中所呈现的光的折射。雅兹德绘画的强度(严肃性)可以从他每幅作品的灯光中看出。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unity, Complexity, dan Intensity Lukisan Karya Yazid
This study discusses how to understand the unity, complexity, and intensity of Yazid's painting using Monroe Beardsley's theory. Yazid is a West Sumatran artist who is quite famous for his naturalist flow and cannot be separated from the concept of natural beauty. This study uses a qualitative method which includes observation, interviews, and literature study. The research was conducted in the cities of Padang, Padang Pariaman and Padangpanjang, West Sumatra. After conducting research, it was found that Unity (unity) in Yazid's paintings as a whole shows how the arrangement of lines, colors, and compositions are produced in a perfect shape so that it looks like a unity. This makes for distinctive strokes and soft colors and object capture. The complexity of Yazid's paintings can be seen in the lighting which is described as similar to what is captured by the five senses so that the object does not look simple. How Yazid tries to present the refraction of light that is shown in each of his paintings. The intensity (seriousness) in Yazid's paintings can be seen in the lighting as the key in each of his works.
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