布尔诺的犹太建筑师恩斯特·威斯纳(Ernst Wiesner)设计的两次世界大战之间的店面和商店内部设计

Zuzana Ragulová
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引用次数: 0

摘要

:本文从总体上介绍了布尔诺两次世界大战之间的店面主题,重点介绍了犹太建筑师Ernst Wiesner在20世纪20年代和30年代设计的店面和商店室内设计。对这些示例进行了描述,并就目标客户群体相互进行了比较。Popper鞋店和男士时装店Weiss和Lassmann的目标客户是奢侈品,而OPP糖果店的目标客户是中产阶级。这种差异在外观和内部都很明显。另一种方法是跟踪Wiesner风格和店面建筑的时间顺序发展。虽然建筑师的风格在20世纪20年代和30年代是相似的,但1934年后,店面建筑发生了变化,门进一步嵌入商店,商店橱窗面积增加。1935年,这种新趋势在拉斯曼时装店得到了应用。相比之下,所有的OPP商店在20世纪20年代和30年代保持了相同的简单风格,因为视觉上的统一对公司品牌很重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Interwar shopfronts and shop interiors by the Jewish architect Ernst Wiesner in Brno
: This paper presents the theme of interwar shopfronts in Brno in general, focusing on the shopfronts and shop interiors designed by the Jewish architect Ernst Wiesner in the 1920s and 1930s. The examples are described and compared to each other with regard to the target customer group. The Popper shoe shop and men’s fashion shops Weiss and Lassmann targeted a luxury clientele, whereas OPP confectionery targeted the middle class. The difference is visible in both the exterior and interior. The other method tracks the chronological development of Wiesner’s style and shopfront architecture. While the architect’s style was alike in the 1920s and 1930s, the shopfront architecture changed after 1934, when doors were recessed further into the shop, and the shop window area increased. In 1935, this new trend was applied at the Lassmann fashion shop. In contrast, all OPP shops kept the same simple style during the 1920s and 1930s because visual unity is important for the company brand.
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