向前走,同时回顾:Alnôbakskwak (Abenaki妇女)设计和创造现代的美国原住民后代的后代

Vera Longtoe Sheehan
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引用次数: 0

摘要

居住在佛蒙特州的阿本拿基部落位于美国和加拿大之间的边境地带;他们最近得到了佛蒙特州的承认,但仍然没有得到联邦政府的承认(更多关于国家承认的阿本纳基部落和他们的承认日期可以在佛蒙特州:佛蒙特州印第安人事务委员会网站上找到。https://vcnaa.vermont.gov/recognition/recognized-Tribes)。当对四个阿本纳基部落的承认申请进行比较时,很明显,许多阿本纳基农业传统得到了保存,我们的文化复兴努力不仅可以扩展到种植和收获传家宝作物,而且可以恢复仪式舞蹈和为种植和收获仪式创造王权。王室在这个项目中的作用是帮助加强部落间的关系,并在几代人中第一次恢复舞蹈的文化背景。当来自不同社区的妇女为丰收舞蹈的复兴做准备时,围绕文化认同、设计主题、材料以及仪式之间的王权保管等问题出现了。许多阿本拿基人有自己的徽章,但这套徽章是为一个社区制作的。本文重点介绍了阿本拿基妇女组织(AWG)的故事,该组织为现代重新设计了阿本拿基传统服装,并特别关注了它为阿本拿基农业仪式制作的徽章。它探讨了创造服装的过程,它们的材料和仪式的结果。它为讨论印第安妇女在一个以共识为基础的社会中必不可少但又隐藏的领导作用奠定了基础。它展示了一群来自不同社区的阿本拿基妇女如何通过创造和使用农业仪式上的王权,在文化复兴过程中发挥关键作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Moving Forward While Looking Back: Alnôbakskwak (Abenaki Women) Designing and Creating Modern Regalia for Generations of Native American Descendants
ABSTRACT The Abenaki Tribes living in Vermont are situated on the borderlands between the United States and Canada; they recently have been recognized by the State of Vermont but remain unrecognized by the federal government (more about State recognized Abenaki Tribes and their recognition dates can be found on the State of Vermont: Vermont Commission on Native American Affairs website. https://vcnaa.vermont.gov/recognition/recognized-Tribes). When the recognition applications of four Abenaki Tribes were compared, it became apparent that many Abenaki agricultural traditions had been preserved and that our cultural revitalization efforts could be extended not only to the planting and harvesting of heirloom crops but also to reviving ceremonial dances and the creation of regalia for both planting and harvest ceremonies. The regalia's role in this project was to help strengthen intertribal relationships and restore cultural context to the dances for the first time in generations. As women from different communities prepared for the renewal of the harvest dances, questions arose around issues of cultural identity, design motifs, materials, and custodianship of the regalia between ceremonies. Many Abenaki people have their own regalia, but this set of regalia was made for a community. This paper highlights the story of the Abenaki Women’s Group (AWG) that reinvented Abenaki traditional clothing for the modern age and focuses particularly on the regalia it made for use in Abenaki agricultural ceremonies. It explores the process of creating the garments, their materiality, and the outcome of the ceremony. It sets the stage for a discussion about the essential yet hidden leadership roles of Native American women in a consensus-based society. It demonstrates how a team of Abenaki women from different communities came together to play a crucial role in the cultural revitalization process through the creation and usage of regalia for agricultural ceremonies.
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