接近原点

D. Ogden
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引用次数: 0

摘要

最早的关于圣徒式的龙斗的考古研究是通过一个与现存最早的故事类型大致同时代的异教模仿的镜头来进行的,这个模仿出现在公元170年代左右卢西恩的《谎言的情人》中。这种模仿间接地证明了传统中许多主题的存在,直到几个世纪后才真正记录下来。考虑到它对福音书的典故和它的原始圣徒的主题:由古代drakōn主持的蛇窝;最后一个受害者男孩;吹在龙身上烧它;神奇地治愈工人被蛇咬伤的伤口;使用的材料来自一个圣人的坟墓。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Close to the Point of Origin
The earliest archaeology of the hagiographical dragon fight is investigated through the lens of a remarkable pagan parody of the story-type roughly contemporary with the earliest extant example of it, this parody being found in Lucian’s Philopseudes or Lover of Lies of around the AD 170s. The parody indirectly attests the prior existence of a number of motifs in the tradition not actually documented within it until some centuries later. Consideration is given to its allusions to the Gospels and to its proto-hagiographical motifs of: the serpent-brood presided over by an ancient drakōn; the last victim boy; the blowing upon the dragon to burn it; the magical healing of a workman’s snakebite; and the use of material from the tomb of a holy person.
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