家庭性别偏见浪漫化在"多云TANPO UDAN"中

Adenisa Nurul Fathimah, Fela Liana, Ardana Kartika Sari
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引用次数: 0

摘要

《Mendung Tanpo Udan》是由kuukuh Prasetya Kudamai创作的一首流行音乐,由Ndarboy Genk改编成dangdut风格。研究人员分析这首歌的原因是,这首歌包含了在大众和数字传播的背景下,性别不平等的歌词。基于描述性定性研究方法和内容分析技术,研究人员得出结论:“门东丹波乌丹”这首歌类似于一种基于性别的不公正,其形式是对男性和女性的地位进行刻板印象,特别是在家庭角色划分方面。刻板印象来自于社会中表现出来的性别差异,是各种事物的结果,包括形成、社会化、强化为一种社会建构。当社会的文化或信仰认为性别差异是男人和女人的本质时,就会出现一种性别不公正,比如歌曲《Mendung Tanpo Udan》中对夫妻地位偏见的浪漫化,这首歌赢得了大量赞誉。在大众媒体和数字媒体中流行的一首歌将性别不公浪漫化,证明了受众对性别不公问题的不敏感,在这种情况下,性别不公损害了女性的地位和作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ROMANTISASI BIAS GENDER RUMAH TANGGA DALAM LAGU "MENDUNG TANPO UDAN"
The song "Mendung Tanpo Udan" is a piece of pop music created by Kukuh Prasetya Kudamai and arranged by Ndarboy Genk into dangdut style. The researcher analyzed the song "Mendung Tanpo Udan" because this song contains lyrics that represent gender-based injustice in the context of mass and digital communication. Based on the descriptive-qualitative research method with content analysis techniques, the researchers got the results that the song "Mendung Tanpo Udan" resembles a form of gender-based injustice in the form of stereotyping the positions of men and women, especially in the division of household roles. Stereotyping comes from gender differences that are displayed in society as a result of various things, including being formed, socialized, and strengthened into a social construction. When culture or belief in society considers gender differences as the nature of men and women, then a form of gender injustice occurs, such as the effort to romanticize the bias of the husband-wife position in the song "Mendung Tanpo Udan" which has won massive praise. There is a form of gender-based injustice romanticization by a song that is popular in the mass and digital media, proving the audience's insensitivity to the issue of gender-based injustice, which in this case harms the position and role of women.
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