亚历山大·麦昆系列中的丑陋幻想(1992-2009)

Mélissa Diaby Savané
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引用次数: 0

摘要

亚历山大·麦昆(1969-2010)以他的创新和近乎行为艺术的走秀永远地改变了时尚界和历史。他的裁缝天赋与他的服装的强烈叙事和独创性相匹配。其中一些是为了商业消费和迎合大众,但大多数是艺术作品,从生动而恐怖的想象中成长起来。他拒绝了时尚的共同基础,专注于通常被忽视的主题,如拜物教、暴力、死亡和精神障碍。因此,他的目标是超越寻常,达到崇高,他从自己痛苦的心灵中创造了一个幻想的世界。他的浪漫主义和哥特式风格的作品反映了我们这个时代的焦虑,并将时尚提升为一种独立的艺术形式,从而引发了对时尚、视觉艺术和文学之间关系的反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The fantasy of ugliness in Alexander McQueen collections (1992-2009)
Alexander McQueen (1969-2010) changed the fashion industry and history forever with his innovations and runaway shows that verged on performance art. His talent for tailoring matched the strong narrative and originality of his garments. Some of them were destined for commercial consumption and catered to the masses, but most of them were works of art grown from a vivid yet macabre imagination. He refused the common grounds of fashion to focus on themes usually ignored, such as fetishism, violence, death and mental disturbance. Therefore, he aimed to transcend the usual and reach for the sublime as he created a fantasy world out of his own tormented mind. His Romantic and Gothic inspired work mirrored the anxieties of our times, and raised fashion to an art form on its own, thus prompting a reflection on the affiliation between fashion, visual arts and literature.
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