雷纳·格兰德的《我们之间的距离》中的边界作为后空间

E. W. Kasih, I. Adi, Nur Saktiningrum
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引用次数: 0

摘要

雷纳·格兰德的《我们之间的距离》提供了另一种定义,以墨西哥移民为例,后来在美国被称为奇卡诺人。为了构建这一定义,本文运用萨拉·厄普斯通的后殖民理论对小说进行分析。从字面上看,“边界”被认为是一个门,作为一个地方,提供一个入口或一个开放的通道。因此,这部小说通过段落描绘了小说主人公在斗争中所经历的文化交融。然而,由于混合过程中出现的混乱,边界不仅被解释为地理领土,而且被认为是后空间,因为混合涉及到对区域或空间的破坏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Border as Post Space in Reyna Grande’s The Distance Between Us
Reyna Grande’s The Distance Between Us delivers another definition of a term border illustrated by the Mexican immigrants or later called Chicano in the United States. To construct the definition, Sara Upstone’s postcolonial theory is applied for the analysis of the novel. Literally, ‘border’ is considered a gate as a place to provide an entrance or an opening used for passage. Thus, this novel depicts the mixture of cultures as a result of struggle committed by the main character of the novel through the passage. However, due to the emergence of chaos as the result of the mixing process, the border is not solely interpreted as a geographical territory but considered a postspace as the mixing involves a breach to an area or space.
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