{"title":"一种高贵的无政府状态。音乐与斯宾格勒与里尔克之间的隐喻","authors":"Giacomo Gambaro","doi":"10.36253/aisthesis-12480","DOIUrl":null,"url":null,"abstract":"This paper aims to examine the relationship between stupidity and massification in Robert Musil’s thinking moving from the speech Über die Dummheit (1937). According to the definition of stupidity as a historical epidemic associated with emotions, I take into account the essays of the earlies twenties of the XX century, in which the author interrogates the connection between the “non rational sphere” and the nationalist identity in the context of civilization (Zivilisation). To explain this connection, I highlight the centrality that Musil ascribes to the method of “analogy” in criticizing Spengler’s thought to clarify how the welding of the dimension of “feeling” (Gefühl) and the abstract idea of “national identity” occurs. Based on Musil’s essay dedicated to Rilke (1927), I illustrate the different type of bonds produced by “metaphor” (Gleichnis) to define an alternative concept of community based on the common lack of quality and foundation. ","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A noble anarchy. Musil and the metaphor between Spengler and Rilke\",\"authors\":\"Giacomo Gambaro\",\"doi\":\"10.36253/aisthesis-12480\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper aims to examine the relationship between stupidity and massification in Robert Musil’s thinking moving from the speech Über die Dummheit (1937). According to the definition of stupidity as a historical epidemic associated with emotions, I take into account the essays of the earlies twenties of the XX century, in which the author interrogates the connection between the “non rational sphere” and the nationalist identity in the context of civilization (Zivilisation). To explain this connection, I highlight the centrality that Musil ascribes to the method of “analogy” in criticizing Spengler’s thought to clarify how the welding of the dimension of “feeling” (Gefühl) and the abstract idea of “national identity” occurs. Based on Musil’s essay dedicated to Rilke (1927), I illustrate the different type of bonds produced by “metaphor” (Gleichnis) to define an alternative concept of community based on the common lack of quality and foundation. \",\"PeriodicalId\":447022,\"journal\":{\"name\":\"Aisthesis. Pratiche, linguaggi e saperi dell’estetico\",\"volume\":\"28 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Aisthesis. Pratiche, linguaggi e saperi dell’estetico\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36253/aisthesis-12480\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36253/aisthesis-12480","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文旨在从“Über die Dummheit”(1937)的演讲出发,考察罗伯特·穆希尔思想中愚蠢与大众化的关系。根据愚蠢作为一种与情感相关的历史流行病的定义,我考虑了二十世纪二十年代初的文章,其中作者在文明(zcivilisation)的背景下质疑“非理性领域”与民族主义认同之间的联系。为了解释这种联系,我强调了Musil在批评斯宾格勒思想时赋予“类比”方法的中心地位,以阐明“感觉”维度(gef)与“民族认同”抽象概念的焊接是如何发生的。基于Musil的文章献给里尔克(1927),我举例说明了由“隐喻”(Gleichnis)产生的不同类型的纽带,以定义基于共同缺乏质量和基础的社区的另一种概念。
A noble anarchy. Musil and the metaphor between Spengler and Rilke
This paper aims to examine the relationship between stupidity and massification in Robert Musil’s thinking moving from the speech Über die Dummheit (1937). According to the definition of stupidity as a historical epidemic associated with emotions, I take into account the essays of the earlies twenties of the XX century, in which the author interrogates the connection between the “non rational sphere” and the nationalist identity in the context of civilization (Zivilisation). To explain this connection, I highlight the centrality that Musil ascribes to the method of “analogy” in criticizing Spengler’s thought to clarify how the welding of the dimension of “feeling” (Gefühl) and the abstract idea of “national identity” occurs. Based on Musil’s essay dedicated to Rilke (1927), I illustrate the different type of bonds produced by “metaphor” (Gleichnis) to define an alternative concept of community based on the common lack of quality and foundation.