典故与幻想

Melissa Eppihimer
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引用次数: 0

摘要

美索不达米亚阿卡德王权的视觉遗产是一系列与阿卡德图像和记忆的个人接触的产物,它们共同表明,随着时间的推移,从与阿卡德模型的直接接触到对阿卡德模型的中介接触。除了巩固前几章提出的观点外,第6章进一步探讨了古代近东文化记忆和图像之间的关系。首先,阿卡德人在赫梯安纳托利亚的记忆提高了赫梯艺术中视觉遗产的可能性。其次,将阿卡德的遗产与乌尔三世国王的遗产进行比较。在后者中,一组晚期新亚述“提篮人”石碑显示了与乌尔三世基础人物的图案间链接。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Allusions and Illusions
The visual legacy of Akkadian kingship in Mesopotamia was the product of a series of individual engagements with Akkadian images and memories that collectively suggest a shift over time from direct engagement with Akkadian models to mediated access to Akkadian models. Beyond consolidating the ideas presented in earlier chapters, chapter 6 opens up further lines of inquiry into the relationship between cultural memory and images in the ancient Near East. First, memories of the Akkadians in Hittite Anatolia raise the possibility of a visual legacy in Hittite art. Second, the Akkadian legacy is compared to the legacy of the Ur III kings. In the latter, a set of late Neo-Assyrian “basket-bearer” steles display interpictorial links to Ur III foundation figures.
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