《安静地流淌着顿河》中的两个典喻:m.a.肖洛霍夫和g.r.d erzhavin

Sergey A. Vasiliev
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引用次数: 0

摘要

本文首次对德尔扎文的作品与肖洛霍夫的创作进行了比较。肖洛霍夫在三个体育馆里学习,所以毫无疑问,他知道德尔沙文的作品,这些作品在加拉霍夫的教科书中提到过。德尔沙文的诗在肖洛霍夫的图书馆里。这两位作家都对综合艺术很感兴趣。我们可以在《平静的顿河》中找到德尔沙文的典故。例如,在室内(什托克曼在磨坊的谈话)和塔蒂亚娜的肖像-格里戈里的女儿。这些例子带来了新的艺术功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TWO ALLUSIONS IN «AND QUIET FLOWS THE DON»: M.A. SHOLOKHOV AND G.R. DERZHAVIN
The comparison between G.R. Derzhavin's works and M.A. Sholokhov's creation is done for the first time. Sholokhov studied in three gymnasiums so with no doubt he knew Derzhavin's works, which were mentioned in A.D Galakhov's schoolbook. Derzhavin's poetry was in Sholokhov's library. Both of the writers had interest in the synthesis of arts. We can find Derzhavin's allusions in «And Quiet Flows the Don». For example, in interior (Shtokman's conversation at the mill) and in the portrait of Tatiana – Grigori’s daughter. These examples bring new artistic functions.
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