{"title":"互惠主义,大规模和未来的城市:20世纪90年代伦敦的丛林海盗电台","authors":"T. Cordell, M. James","doi":"10.3898/SOUN.77.08.2021","DOIUrl":null,"url":null,"abstract":"1990s Britain was under Thatcherite continuity rule. But radio waves were appearing that carried fragments of the future: weekend broadcasts of a new kind of music - Jungle - were being illegally beamed across the city from the rooftops of tower blocks, appropriating them as the locus\n of an alternative cultural infrastructure. Pirate stations used newly emerging technologies to spread subversive sounds from the margins and to challenge dominant cultures.","PeriodicalId":403400,"journal":{"name":"Soundings: a journal of politics and culture","volume":"9 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Mutualism, massive and the city to come: Jungle Pirate Radio in 1990s London\",\"authors\":\"T. Cordell, M. James\",\"doi\":\"10.3898/SOUN.77.08.2021\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"1990s Britain was under Thatcherite continuity rule. But radio waves were appearing that carried fragments of the future: weekend broadcasts of a new kind of music - Jungle - were being illegally beamed across the city from the rooftops of tower blocks, appropriating them as the locus\\n of an alternative cultural infrastructure. Pirate stations used newly emerging technologies to spread subversive sounds from the margins and to challenge dominant cultures.\",\"PeriodicalId\":403400,\"journal\":{\"name\":\"Soundings: a journal of politics and culture\",\"volume\":\"9 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Soundings: a journal of politics and culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3898/SOUN.77.08.2021\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Soundings: a journal of politics and culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3898/SOUN.77.08.2021","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Mutualism, massive and the city to come: Jungle Pirate Radio in 1990s London
1990s Britain was under Thatcherite continuity rule. But radio waves were appearing that carried fragments of the future: weekend broadcasts of a new kind of music - Jungle - were being illegally beamed across the city from the rooftops of tower blocks, appropriating them as the locus
of an alternative cultural infrastructure. Pirate stations used newly emerging technologies to spread subversive sounds from the margins and to challenge dominant cultures.