{"title":"奥维德《变形记》中纳西索斯和皮格马利翁故事中的形象、文本和语料库","authors":"Ágnes Darab","doi":"10.22315/acd/2018/6","DOIUrl":null,"url":null,"abstract":"The article offers a comparative analysis of Ovid’s stories of Narcissus and Pygmalion. The analysis highlights the intertextual link between the two narratives, and uses it as the basis for comparison, focusing on the single aspect: who creates what, and how. The paper concludes that what is at stake in the two texts at a fundamental level can be found in the sphere of aesthetics","PeriodicalId":412962,"journal":{"name":"Acta Classica Universitatis Scientiarum Debreceniensis","volume":"1068 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Image, text, corpus in the stories of Narcisus and Pygmalion in Ovid's \\\"Metamorphoses\\\"\",\"authors\":\"Ágnes Darab\",\"doi\":\"10.22315/acd/2018/6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article offers a comparative analysis of Ovid’s stories of Narcissus and Pygmalion. The analysis highlights the intertextual link between the two narratives, and uses it as the basis for comparison, focusing on the single aspect: who creates what, and how. The paper concludes that what is at stake in the two texts at a fundamental level can be found in the sphere of aesthetics\",\"PeriodicalId\":412962,\"journal\":{\"name\":\"Acta Classica Universitatis Scientiarum Debreceniensis\",\"volume\":\"1068 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Classica Universitatis Scientiarum Debreceniensis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22315/acd/2018/6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Classica Universitatis Scientiarum Debreceniensis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22315/acd/2018/6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Image, text, corpus in the stories of Narcisus and Pygmalion in Ovid's "Metamorphoses"
The article offers a comparative analysis of Ovid’s stories of Narcissus and Pygmalion. The analysis highlights the intertextual link between the two narratives, and uses it as the basis for comparison, focusing on the single aspect: who creates what, and how. The paper concludes that what is at stake in the two texts at a fundamental level can be found in the sphere of aesthetics