《地球的囚徒,出来吧》:威廉·巴勒斯的写作与诺斯替主义思想之间的联系与相似之处

A. Białkowska
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引用次数: 0

摘要

人们很少把威廉·巴勒斯的作品与宗教背景联系起来阅读。我想在他的《新星三部曲》和一些最流行的诺斯替主义思想之间呈现出一种对应关系。在这部分拆的三部曲中,人类被孤立地困在一个由反人类力量统治的充满敌意的宇宙中。通过对文字和图像的操纵,像德米日格一样的代理人将他们的控制扩展到一个虚幻的现实。像诺斯替主义者一样,巴勒斯把物质世界和身体看作是超然精神的监狱。对他来说,一种逃脱的方式是通过切割。作者表明,摆脱武断的观念和常规的思维方式,可以获得救世的知识。巴勒斯创造了他自己的神话,就像诺斯替教的教义一样,促进了自我认识、内在转化和超越的思想。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Prisoners of the Earth, come out”: Links and Parallels between William Burroughs’s Writing and Gnostic Thought
William Burroughs’s works are rarely read in relation to any religious context. I would like to present a correspondence between the vision that emerges from his Nova Trilogy and some of the most popular Gnostic ideas. In the cut-up trilogy, mankind is left alone, trapped in a hostile cosmos ruled by antihuman forces. Through the manipulation of words and images, Demiurge-like agents spread their control over an illusory reality. Like Gnostics, Burroughs envisions the physical world, and also the body, as a prison to the transcendent spirit. To him, one way of escape is through cut-ups. The writer shows that by breaking away from arbitrary notions and a routine mode of thinking, one can attain gnosis — saving knowledge. Burroughs creates his own mythology which, like Gnostic teachings, promotes the ideas of self-knowledge, internal transformation and transcendence.
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