基于学生审美能力培养的奥尔夫音乐教学模式研究

Yanyu Yang
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引用次数: 0

摘要

奥尔夫音乐教育体系的核心思想是本土化、原创性和实践性。它是一种人们必须参与的音乐,也就是说,人们不是作为听众,而是作为表演者参与其中。其目的是激发每一个参与者的活力。音乐教育从根本上讲是艺术审美的教育,而不是单纯的技能训练。审美是一种感性认识,是人类普遍的情感需要。人们在审美活动中通过意象来认识和观察对象世界。为了培养学生的审美能力,把握审美体验的主线,必须把审美体验作为音乐教育的最重要价值。本文通过对奥尔夫基于学生审美能力培养的音乐教学模式的研究,探讨如何在歌唱课中运用节奏朗读、在节奏教学中尝试基本动作、在鉴赏课中运用奥尔夫乐器等有效策略,使学生通过多种手段和有效形式融入音乐课堂,享受音乐课堂。挖掘学生的内在需求和兴趣,形成音乐审美能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research on Orff Music Teaching Model based on the Cultivation of Students' Aesthetic Ability
The core idea of Orff's music education system is localization, original nature and practicality. It is a kind of music that people must participate in, that is, people participate in it not as listeners, but as performers. Its purpose is to stimulate the vitality of every participant. Music education, fundamentally speaking, is the education of artistic aesthetics, not a pure skill training. Aesthetics is a kind of perceptual knowledge and a universal emotional need of human beings. People understand and observe the object world through images in aesthetic activities. In order to cultivate students' aesthetic ability and grasp the main line of aesthetic experience, aesthetic experience must be regarded as the most important value of music education. By studying Orff's music teaching mode based on the cultivation of students' aesthetic ability, this paper explores how to apply effective strategies such as rhythm reading in singing course, trying basic movements in rhythm teaching and using Orff instruments in appreciation class, so that students can integrate into and enjoy music class through various means and effective forms. Excavate students' inner needs and interests, and form musical aesthetic ability.
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