迪娜·鲁比娜小说《达·芬奇的笔迹》的叙事结构

A. Golubtsova
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引用次数: 0

摘要

本文致力于分析现代作家迪娜·鲁比娜的小说《列奥纳多的笔迹》的叙事结构。本文以科曼、施密德等人的作品为基础,对叙事学的基本概念(作者、叙述者、话语主体等)进行了探讨。科学新颖性在于对所研究的文本中复杂的叙事单元系统的功能进行分析和界定。小说《达·芬奇的笔迹》以不同的叙事空间组织方式为特点,每一种方式对小说的感知都起着重要的作用。本文将小说的篇章按照叙事结构进行分类,分析小说中确定叙述者的个别情节,揭示在狭窄的叙事空间中叙述者交叉的案例,以及从不同叙述者的角度考虑事件。研究结果表明,迪娜·鲁比娜的小说《达·芬奇的笔迹》的叙事结构是复杂和复调的,这使得它可以发挥许多对艺术作品很重要的功能(揭示人物,表明小说的概念等)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
NARRATIVE STRUCTURE OF DINA RUBINA'S NOVEL "LEONARDO'S HANDWRITING"
The article is devoted to the analysis of the narrative structure of the novel «Leonardo's Handwriting» by the modern writer Dina Rubina. It examines the basic concepts of narratology (author, narrator, subject of speech, etc.) based on the works of B.O.Korman, V. Schmid. Scientific novelty lies in the analysis and definition of the functions of a complex system of narrative units in the text which is studied. The novel "Leonardo's Handwriting" is characterized by different ways of organizing the narrative space, each of which performs an important function for the perception of the novel. The author of the article classifies the chapters of the novel in terms of their narrative structure, analyzes individual episodes of the novel in which narrators are identified, reveals cases of intersection of narrators in a narrow narrative space and events that are considered from the point of view of different narrators. As a result of the study, it was determined that the narrative structure of Dina Rubina's novel «Leonardo's Handwriting» is complex and polyphonic, which allows performing many functions that are important for a work of art (revealing characters, indicating the concept of the novel, etc.).
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