通过戏剧连接信仰:Barazan 'yee作为泰国穆斯林社区的半仪式表演

Khalid Midam
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引用次数: 0

摘要

本研究论文考察了通过以社区为基础的表演将年轻穆斯林与他们的经历、信仰和社区联系起来的创造性过程。它还强调了由性能本身产生的不同级别的连接。作者试图利用社区剧院的工具,将一种重要的阿拉伯诗歌圣歌Barazan 'yee与曼谷伊斯兰社区的人们重新联系起来。表演设计过程使他们能够以对他们和他们的社区有意义的方式讲述他们自己与Bar’zanyee诗歌有关的故事,从而将他们的生活与先知穆罕默德的生活联系起来。第一次公演导致观众在第二次公演时结构和参与选择发生了变化。虽然这两场表演都是在穆斯林社区的半仪式化环境中进行的,但后者更好地吸引了表演者和观众。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Connecting Faith through Theatre: Barazan’yee as a Semi-Ritual Performance in Thai Muslim Communities
This research paper examines the creative process used to connect young Muslims with their experience, their faith, and their community through a community-based performance. It also stresses the different levels of connections that resulted from the performance itself. The author sought to reconnect Barazan’yee, an important Arabic poetic chant, to people in the Bangkok Islamic community using tools from community theatre. The performance design process allowed them to tell their own story in relation to Bar’zanyee poetry in ways that are meaningful to them and their community, thus connecting their lives to the life of Prophet Muhammad. The first performance was in a public theatre resulted in a shift in structure and participation choices for audience in the second performance at a public theatre. Although both performances were conducted in a semi-ritualized environment of the Muslim community, the latter better engaged both the performers and audience.
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