叶芝《凯瑟琳伯爵夫人》中阿列尔的先验视觉

Fawziya Mousa Ghanim
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引用次数: 0

摘要

叶芝(1865-1939)在他的戏剧中讨论了不同的问题。他把爱尔兰的社会、民间传说和民族戏剧化了。艾比剧院成为他展示爱尔兰民族艺术的平台,也是他为爱尔兰的统一、繁荣和强大而奋斗的平台。叶芝认为诗人是一个有远见的人,一个流浪者,一个活动家。本文旨在分析阿利尔的自我冲突,以及他为了他们的爱情和崇高的生活而一再试图说服凯瑟琳伯爵夫人离开她的追求。此外,这也解释了阿利尔走向凯瑟琳伯爵夫人的客观极点的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Aleel’s Transcendental Vision in W.B. Yeats‘s The Countess Cathleen
Abstract W.B. Yeats (1865-1939) discussed different issues in his plays. He dramatized the Irish society, folklore, and nationality. The Abby Theatre became his platform for Irish national art and his struggle for the Irish unity, prosperity and strength. The poet according to Yeats is a visionary, a wanderer, and an activist. The paper aims at analyzing Aleel’s self-conflict and his repeated attempts to persuade Countess Cathleen of leaving her quest for the sake of their love and sublime life. Besides, it will explain Aleel’s journey towards Countess Cathleen ‘s pole of objectivity.
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