手提箱循环在多夫拉托夫诗学发展中的作用

D. K. Baranov
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引用次数: 0

摘要

在《手提箱》中,多夫拉托夫散文的中心主题(形式与意义之间的冲突)既体现在他早期散文所描绘的世界层面上,也体现在叙述者的说法层面上:正式的“主题”从未对应于实际的“内容”、“意义”。当读者享受到文学文本的审美体验(“意义”)时,尽管叙述者使用了误导性的措辞,他也因此跨越了交际障碍,这正是多夫拉托夫想要达到的效果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE ROLE OF THE CYCLE THE SUITCASE IN THE EVOLUTION OF S. D. DOVLATOV’S POETICS
In The Suitcase, the central subject of Dovlatov’s prose (the clash between form and meaning) manifests itself both on the level of the depicted world, as in his early prose, and on the level of the narrator’s parlance: the formal «theme» never corresponds to the actual «content», «meaning». As the reader enjoys the aesthetic experience («meaning» of the literary text), despite the narrator’s misleading parlance, he thereby crosses the communicative barrier, and this is exactly the effect that Dovlatov wants to achieve.
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